Yachties (both real and aspirational) will thrill to this funny, sunny oceanic ramble.
Book One of a drawling, picaresque, scatology-inflected tale in which eccentric twins search for the perfect yacht and a leisurely Mediterranean cruise–but instead find international terrorism, outré sexual hijinks and a gaggle of bumbling bureaucrats hot on their trail.
Firewater opens with a note from Farrell, claiming that his book is based on notes given him by the now-institutionalized main character, Ned Kelly, recounting the Kelly boys’ big adventure. The Kellys, fraternal twins from Canada, were “far from identical in appearance or temperament. Liam was a good twenty pounds heavier than Ned, several inches taller, and something of a phenomenon in the snoring department.” The book’s improbable, entertaining plot begins with Ned’s search for the perfect boat in various foreign ports. Then it’s all mayhem. Charismatic IRA heavy, “The Wee Lad”–aka Sean McManus, whose “funny little tattoo” is the source of his nickname–is the prime mover of the baddies. Evocatively named plods PC Scrapper, Ramsbottom of the Yard and the corrupt DS Buttsnyffe (“pronounced Bet-sneeve…derived from an ancient Jutish dialect, meaning ‘sharp blade’ ”) come and go, while Rosicrucians and other fringe weirdies confuse things. The book is chock-full of playful acronyms such as MERDE (or Maritime Eclectic Research and Development Enterprises) and silly half-puns. Digressions abound, including the disturbing shaggy-dog story of the high old times at Chateau Insouciance, where very naughty goings-on include date-rape drugs and advanced S&M techniques. For readers eager to learn the ins and outs of international sanitation, the novel includes several extremely detailed descriptions of the toilets, pissoirs and other “conveniences” encountered by the narrator while on his rambling voyage of discovery. It’s all too much, really. But that’s Firewater’s bizarre charm. Readers will be eager for Part Two, which promises even more intricate crossings and double-crossings for the blundering Kellys and their bizarre, partisan supporting crew.
Yachties (both real and aspirational) will thrill to this funny, sunny oceanic ramble.Pub Date: N/A
ISBN: 978-1-4251-8523-7
Page Count: -
Publisher: N/A
Review Posted Online: June 20, 2011
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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