WILD IDEA

BUFFALO AND FAMILY IN A DIFFICULT LAND

There may be plenty of disappointments out on the Plains, but this book is not one of them.

South Dakota novelist and memoirist O’Brien (The Indian Agent, 2004, etc.) delivers a bracing portrait of the pleasures—and considerable pains—of ranch life on the lone prairie.

“The best definition of success on the Great Plains is the ability to move from one disappointment to the next without losing your enthusiasm,” writes the author, who, long ago, had the odd idea that he might just try his hand at raising buffalo—“a unique species that thrived only in the center of the North American continent”—in somewhat the same way as one might raise cattle or sheep. Underscore somewhat: O’Brien and his partner realized early on that becoming just any old livestock producers would yield just any old livestock, and “neither Jill nor I wanted anything to do with forcing buffalo through the cattle production model.” Instead, working with like-minded friends, O’Brien resolved to produce organic, free-range bison before those words were current. Passages of his memoir are not for the squeamish, especially those involving the evisceration, joint loosening and beheading of captive animals. Overall, however, this is a deeply humane book that looks at ranching as a sustainable enterprise, a way of life more than an economic engine. The author’s critique of the cycle of debt, techno-lust and more debt that the economic engine calls for will be both familiar and welcome to fans of Wendell Berry and Gretel Ehrlich. The best parts of the book, though, are O’Brien’s portraits of the people of the Plains, such as a friend and partner who, self-taught and immensely hungry for both knowledge and experience, still melts down at the prospect of driving in a big city in which he has no business.

There may be plenty of disappointments out on the Plains, but this book is not one of them.

Pub Date: Sept. 1, 2014

ISBN: 978-0803250963

Page Count: 272

Publisher: Bison/Univ. of Nebraska

Review Posted Online: Aug. 26, 2014

Kirkus Reviews Issue: Sept. 15, 2014

THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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