Elephant and Piggie introduce a beginning reader that’s a math lesson: how can three cookies be divided equally among four friends?
A hippo, a crocodile, and two squirrels really want to share, fairly, but getting there isn’t easy. Eventually, the hippo nervously breaks the cookies into six, and then 12 pieces—making the math work perfectly. Dividing three glasses of milk will be a whole different problem. The art looks little like Santat's Caldecott-winning The Adventures of Beekle (2014). It is lighter, cartoonish, and more cheerful than most of his work, matching the silliness of the slight story. The crocodile is endearing rather than threatening, and the hippo is a big, friendly purple one. The blue squirrel wears glasses, and the orange squirrel wears pigtails, denoting gender. Speech bubbles outlined in the same color as the character speaking make following the dialogue fairly easy, though side comments that will go over the heads of most beginning readers are distracting. The story relies on variations in font sizes to communicate excitement and drama. Over 100 words, mostly sight words, are used, with very few repeated more than once or twice, gearing this for readers with some practice behind them. Commentary from Elephant and Piggie that frames the story may sell the book to teachers or parents hungry for more from the popular brand.
In the end it’s a morality tale that may not be worth raiding the cookie jar for . (Early reader. 6-8)Pub Date: Sept. 20, 2016
ISBN: 978-1-4847-2636-5
Page Count: 64
Publisher: Hyperion
Review Posted Online: June 28, 2016
Kirkus Reviews Issue: July 15, 2016
Categories: CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES
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A monohued tally of positive character traits.
Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)
The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)Pub Date: June 2, 2020
ISBN: 978-0-593-12196-2
Page Count: 40
Publisher: Random House
Review Posted Online: June 3, 2020
Kirkus Reviews Issue: June 15, 2020
Categories: CHILDREN'S SOCIAL THEMES
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SEEN & HEARD
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 5, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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