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THE COMMITMENT

LOVE, SEX, MARRIAGE, AND MY FAMILY

Energetically ambivalent memoir of a gay wedding as a family milestone. Despite his arguments to the contrary, Savage takes...

Seattle sex-columnist Savage (The Kid, 1999, etc.) has found the man of his dreams and adopted a baby. According to his mother, he’s finally ready to get married.

Savage is a surprising combination of bad boy and good son. His public persona—blunt, often rude and always political—has made him a lightning rod in the gay community, and Savage’s long-time fans will recognize his signature mix of wit and annoyance. Adapting the format that serves him so well as a columnist, Savage constructs his memoir out of short, loosely related chapters about the avalanche of details that magically appear once his mother begins her campaign for a wedding. To his irritation, he and his boyfriend are inevitably pulled into the matrimony business. Savage is especially amusing when recounting the pre-wedding horrors: a visit to a wedding expo (hypnotizing and repulsive); attempts to book a reception hall at a Chinese restaurant during Chinese New Year (an accident of planning for which he and his boyfriend blame one another); arguments about wedding cakes (they get two at $500 a pop); and half-heartedly planned escape routes (does getting matching tattoos count as a gay commitment?). The book takes on cherished ideas about gay marriage, marriage in general, heterosexuality and the ideal of monogamy. Savage is a master of gleeful ill-will, but even so, some of his screeds are unnecessary—the stories of his forays into the wedding complex illustrate his arguments just as well. The author has a keen eye for the ironies of modern couplehood, and he doesn’t mind airing his own dirty laundry if it will get him a laugh and some political capital, but the real stars of this book are the extended Savage family, and his boyfriend. They are clearly the reason Savage is such a well-adjusted malcontent.

Energetically ambivalent memoir of a gay wedding as a family milestone. Despite his arguments to the contrary, Savage takes a resigned pleasure making an honest family man of himself.

Pub Date: Oct. 1, 2005

ISBN: 0-525-94907-0

Page Count: 336

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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