An inventive tale by a first-time author who’s off to a fast start.
A blend of sci-fi and courtroom drama that takes readers into a brave new world of criminal investigation.
In New York state, the Osiris team, headed by prosecutor Freddy Logan, has racked up an impressive track record of convictions due to their access to a secret source of information. Logan prosecutes financial malfeasance as treason, and death sentences await those who are convicted. However, the Osiris team seeks a sentence of “death and seven,” which means that the bodies don’t have to be released for seven years, giving federal investigators plenty of time to “sift and grind through” seized materials “with unremitting precision.” The corpses are sent off to a hidden lab called Glimmer Development, where researchers Kenneth Conklin and Gregory Ellerby, in exchange for funding, use technology they’ve developed to extract damning evidence from their brains, which they forward to Osiris for future prosecutions. This unethical arrangement might have continued successfully for years, but then Amanda Wilson, an assistant at Glimmer, feels guilty about how one of the “patients” is treated and sends a letter to the dead woman’s lawyer. Then Kenny, jealous about Gregory and Amanda’s relationship, decides to become a whistle-blower; the problem is that he mistakenly approaches technology thieves instead of reporters. Debut author Welch does a thorough job of examining what can happen when science outpaces regulation, posing the age-old science-fiction question: Just because something can be done, should it? However, readers may find it hard to feel much sympathy for the victims in Welch’s scenario, who are consistently portrayed as the greedy few seeking to profit off of the honest many. The author conjures a realistic cast of characters, including scientists and lawyers who are more concerned with results than consequences as well as a handful of relative innocents caught in the middle. Cynicism, rather than morality, triumphs in the end; in a world of advancing technology, the dead can’t even take their secrets to the grave.
An inventive tale by a first-time author who’s off to a fast start.Pub Date: July 28, 2018
ISBN: 978-0-9990205-8-6
Page Count: 176
Publisher: Immortal Works Press
Review Posted Online: Oct. 17, 2018
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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