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DEATH AND SEVEN

An inventive tale by a first-time author who’s off to a fast start.

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A blend of sci-fi and courtroom drama that takes readers into a brave new world of criminal investigation.

In New York state, the Osiris team, headed by prosecutor Freddy Logan, has racked up an impressive track record of convictions due to their access to a secret source of information. Logan prosecutes financial malfeasance as treason, and death sentences await those who are convicted. However, the Osiris team seeks a sentence of “death and seven,” which means that the bodies don’t have to be released for seven years, giving federal investigators plenty of time to “sift and grind through” seized materials “with unremitting precision.” The corpses are sent off to a hidden lab called Glimmer Development, where researchers Kenneth Conklin and Gregory Ellerby, in exchange for funding, use technology they’ve developed to extract damning evidence from their brains, which they forward to Osiris for future prosecutions. This unethical arrangement might have continued successfully for years, but then Amanda Wilson, an assistant at Glimmer, feels guilty about how one of the “patients” is treated and sends a letter to the dead woman’s lawyer. Then Kenny, jealous about Gregory and Amanda’s relationship, decides to become a whistle-blower; the problem is that he mistakenly approaches technology thieves instead of reporters. Debut author Welch does a thorough job of examining what can happen when science outpaces regulation, posing the age-old science-fiction question: Just because something can be done, should it? However, readers may find it hard to feel much sympathy for the victims in Welch’s scenario, who are consistently portrayed as the greedy few seeking to profit off of the honest many. The author conjures a realistic cast of characters, including scientists and lawyers who are more concerned with results than consequences as well as a handful of relative innocents caught in the middle. Cynicism, rather than morality, triumphs in the end; in a world of advancing technology, the dead can’t even take their secrets to the grave.

An inventive tale by a first-time author who’s off to a fast start.

Pub Date: July 28, 2018

ISBN: 978-0-9990205-8-6

Page Count: 176

Publisher: Immortal Works Press

Review Posted Online: Oct. 17, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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