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STUDYING WITH MISS BISHOP

MEMOIRS FROM A YOUNG WRITER’S LIFE

An appealing literary memoir.

A poet's reflections on memorable individuals.

In deft, graceful essays, poet, literary critic, and librettist Gioia recalls six “people of potent personality” who shaped his vocation: Elizabeth Bishop and Robert Fitzgerald, who taught him as a graduate student at Harvard; John Cheever, whom Gioia met at Stanford, where he was studying business; writer James Dickey; Ronald Perry, a little-known poet whom Gioia never met; and the author’s Mexican uncle, who died when Gioia was a child and whose library of books, stored in Gioia’s family’s apartment, inspired his reading and his aspiration to be a writer. No one among his relatives or teachers, he reveals, “ever encouraged my reading or intellectual pursuits,” but he was encouraged by his uncle’s presence, felt through the books he left. The author pursued his literary ambitions at Harvard, where two professors stood out: the “prim, impeccably coiffured” Bishop, the “most self-effacing writer I have ever met”; and Fitzgerald, whose “many strengths harmonized so naturally that one simply enjoyed the music of his company. Being with him, I understood for the first time how legendary pilgrims recognized their next master.” Both contrasted favorably with their celebrated, hugely popular colleague Robert Lowell. Gioia preferred Bishop’s and Fitzgerald’s modesty and humility, qualities he found in Cheever, too, who had come to Stanford on a campus visit with his son. Cheever seemed to Gioia “more bright young man than sagacious patriarch,” and his “intelligence was enlivening.” An unfortunate meeting with Dickey came after Gioia published a negative review of one of his books: “It is often better not to meet the writers you admire.” Gioia’s connection with Perry also came from reviewing; Perry wrote to thank him for an appreciative review, and the two continued to correspond, planning to meet, finally, in New York. Gioia’s portrait of this “invisible poet” and their role in one another’s lives serves as a moving elegy.

An appealing literary memoir.

Pub Date: Jan. 12, 2021

ISBN: 978-1-58988-151-8

Page Count: 186

Publisher: Paul Dry Books

Review Posted Online: Oct. 6, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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