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CROSSING ON THE PARIS

Gynther proves herself a fine storyteller with this artful tale.

In her debut, novelist Gynther scores with this first-rate story centering on three women whose lives intersect aboard an ocean liner.

World War I has recently ended, and the French-based luxury liner, the Paris, is setting out on its maiden voyage to England and the United States. Three women climbing aboard the ship before departure are photographed together for the ship’s newspaper, and as the five-day crossing progresses, their lives continue to overlap in unexpected ways. Julie, a young French girl whose four brothers died in the war, shattering her family, has taken a job aboard the ship. Excited at the prospect of leaving home for the first time, she reports from her position waiting tables and her life below deck in steerage. Second-class passenger Constance Stone is returning home to Massachusetts following a failed attempt to persuade her younger sister to come with her and try to talk their mentally deranged mother back to sanity; while elderly, ailing first-class passenger Vera Sinclair has given up her privileged life in Paris to return home to New York in order to wait for the inevitable. Julie and Constance both find romance they did not expect, and for Vera, there is also a discovery that changes everything she believes about herself. In the meantime, the three women keep crossing paths on the ship, not realizing how much they really have in common. Gynther does an excellent job of taking readers back to an Atlantic crossing in the early 1920s, when the U.S. was caught up in Prohibition and women were starting to question their roles in society. The ship’s details, the different levels of service and luxury experienced by the passengers and crew, as well as the twists and turns of the passage, prove engrossing in Gynther’s hands. 

Gynther proves herself a fine storyteller with this artful tale.

Pub Date: Nov. 13, 2012

ISBN: 978-1-4516-7823-9

Page Count: 384

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Sept. 15, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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