Reinhardt’s skillful exploration of the dynamics of sibling relationships and truly inventive narrative structure shine a...

WE ARE THE GOLDENS

Nell’s discovery of her sister’s secret tests the powerful emotional bond between them.

When Nell starts high school in San Francisco, she plans to follow in the footsteps of her near-perfect sister Layla, whom she loves with a devotion that approaches adulation. Up till now their lives have been intertwined, particularly since their parents’ divorce, but Layla is becoming distant. At first, Nell brushes off rumors that Layla’s in an inappropriate relationship with City Day’s young art teacher, but Layla’s secretive behavior can’t help but attract suspicion. In a blend of first- and second-person, past- and present-tense narration, Nell addresses her sister directly, spilling out her thoughts as she prepares to confront Layla and bring the secret out into the open. Nell’s inner dialogue with two boys, brothers who died within a year of each other, is convincing as a framework for Nell to process the truth, while her best friend, Felix, provides real-life emotional support. Along the way, readers are kept in suspense about Layla’s whereabouts, although the ending is somewhat anticlimactic. In the end, the story feels rather ordinary—as so much of life is.

Reinhardt’s skillful exploration of the dynamics of sibling relationships and truly inventive narrative structure shine a light on the ordinary struggle of growing up. (Fiction. 12-15)

Pub Date: May 27, 2014

ISBN: 978-0-385-74257-3

Page Count: 208

Publisher: Wendy Lamb/Random

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Flat secondary characterizations and humdrum dialogue won’t keep teens from relishing this histrionic tale of love, death...

THE EDGE OF FALLING

Wealthy high school junior Mcalister “Caggie” Caulfield seeks relief from grief over her younger sister’s death by entering into a dangerous relationship with a mysterious boy.

After her little sister drowns in the pool at her family’s beach house in the Hamptons, Caggie wants to die too, to the point that she contemplates jumping off the roof at a friend’s party in Manhattan. A schoolmate named Kristen saves her at the last minute but nearly falls herself. Caggie actually ends up pulling Kristen back and is credited as a hero, which only makes her feel worse. In her grief, Caggie spurns the attentions of her best friend and devoted boyfriend, but she finds a kindred spirit in Astor, a tall, dark and damaged new boy at school who recently lost his mother to cancer. But what Caggie comes to realize about her relationship with Astor is that “[d]arkness stacked on darkness just makes it that much harder to find the light.” After another nearly fatal disaster with Astor at the beach house, Caggie is forced to confront the falsehoods she has told her family and friends and let go of her guilt over her sister’s death. Though Caggie makes a point of telling readers that her paternal grandfather called people like her “phony,” almost nothing is made of the connection to Catcher in the Rye, and it serves merely to make Caggie’s tale suffer by comparison.

Flat secondary characterizations and humdrum dialogue won’t keep teens from relishing this histrionic tale of love, death and lies. (Fiction. 12-15)

Pub Date: March 18, 2014

ISBN: 978-1-4424-3316-8

Page Count: 304

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Jan. 15, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of...

I HAVE NO SECRETS

A nonverbal teen becomes the “real-life password” to solving a terrible crime in this British import.

Sixteen-year-old Jemma has “no secrets of [her] own.” Quadriplegic due to cerebral palsy, she can’t move or speak and depends on her foster parents and her aide, Sarah, for everything from eating to using the bathroom. But people often share their secrets with her. After all, Jemma can never tell—even when Sarah’s sleazy boyfriend, Dan, hints at his involvement in a recent murder just before Sarah goes missing. But when innovative technology offers Jemma a chance to communicate, can she expose Dan’s secret before he silences her? Despite its suspenseful premise, the plot pales against Joelson’s (Girl in the Window, 2018) intimate, unflinching exploration of Jemma’s character; the book’s most powerful tension lies in Jemma’s simple, direct narration of her unrecognized, uncomfortably realistic frustrations and fears, such as patronizing adults who “don’t realize that [she has] a functioning brain” and her worry that her overwhelmed parents will stop fostering. Refreshingly, the author’s detailed depiction of augmentative and alternative communication explores both the joy of self-expression and the physical and mental effort it requires. Jemma’s bond with her chaotic but supportive foster family grounds the story, particularly her touching rapport with her younger foster brother, Finn, who’s autistic and also nonverbal. Most characters appear white.

Quietly suspenseful, vividly character-driven, and poignant, with insights into cerebral palsy and the multiple meanings of “family.” (Suspense. 12-15)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4926-9336-9

Page Count: 288

Publisher: Sourcebooks Fire

Review Posted Online: Aug. 13, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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