A solid story.
Sachs (If You Lived Here, 2007, etc.) takes a conventional literary device—a road trip—and uses compassion, humor and good writing to transform the journey into a memorable story.
Thirty-five-year-old artist Anna Rosenthal is surprised when she receives a call from her estranged grandmother. They haven’t spoken to each other for five years, ever since Goldie criticized Anna’s determination to marry someone she felt was not right for her granddaughter. Now, Goldie wants Anna to chauffeur her from her home in New York City to San Francisco in her vintage Rolls Royce. She claims she wants to return some artwork entrusted to her when her closest friends, of Japanese descent, were placed in an internment camp during World War II. The prints are breathtakingly beautiful and are links to Goldie’s mysterious past, revealed in flashbacks to the reader as the two travel across the continent. Since theirs is a journey of reconciliation, Anna and Goldie sling verbal spears at each other throughout the trip; but they also have tender moments when Anna believes past wounds are finally healing—until the next contentious round occurs. Anna, a widow for two years, suffers from survivor’s guilt and fears relationships that might once again result in pain and loss, so she evades a suitor’s attempts to contact her. She also resents being told by others that she’s just like her grandmother since she thinks Goldie’s unsympathetic and rigid. But Goldie, a feisty octogenarian, is a paradox: although she’s been used to the finer things in life for years, she’s perfectly happy sleeping in Hampton Inns and dining at chain restaurants as she traverses America. And though she refuses to indulge Anna in her grief, she’s unstintingly supportive of and kind to strangers, no matter their station in life. Never forget, she reminds Anna, that every person has value.
A solid story.Pub Date: Feb. 19, 2013
ISBN: 978-0-06-220103-4
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 2, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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