by Dane Liu ; illustrated by Lynn Scurfield ‧ RELEASE DATE: Dec. 14, 2021
A reassuring story of friendship in the face of change.
The art of Chinese paper cutting and the art of friendship come together in this heartfelt migration story.
Bundled up and brightly dressed, best friends Dandan and Yueyue gleefully stroll hand in hand through a snowy neighborhood in China. But joy soon turns to sorrow—Dandan learns that she and her family will soon be moving to America on the day of the Lunar New Year. The girls spend their remaining time together celebrating New Year’s Eve. They munch on dumplings, spend time with their families, and make bright red paper cuttings to serve as ornaments. With a tight hug and a stack of red paper as a parting gift, Yueyue urges Dandan to carry on their paper cutting tradition with a new friend in her new homeland. In America, Dandan feels lonely and friendless. Everything is different, she can’t speak English, and some of her new classmates laugh at her Chinese qipao dress. With a smile from a White, freckle-faced girl named Christina, though, her voice and a new friendship bloom. With so much to learn about her new home and her new friend, can Dandan keep old traditions—like paper cutting—alive? Liu’s descriptive text deftly captures the ups, downs, and in-betweens of a child’s experience moving to a new country. Scurfield’s digitally collaged pencil-and-ink illustrations are mostly bright and colorful, but a brief shift to monochrome underscores the strangeness of a new place and the anxiety of learning a new language. Repeated motifs underline the fact that regardless of geographical location, some things remain the same.
A reassuring story of friendship in the face of change. (author’s note, about the author, about paper cutting, how to make a snowflake instructions) (Picture book. 4-7)Pub Date: Dec. 14, 2021
ISBN: 978-1-250-77818-5
Page Count: 40
Publisher: Godwin Books
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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