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DEVOTION

A MEMOIR

Measured, protracted prose leads this affecting journey.

A deeply self-reflective, slow-moving memoir about the longing for spirituality.

At midlife, novelist Shapiro (Black & White, 2007, etc.) was anxious, sleepless and worried about nameless things, asking herself constantly, “Who was I, and what did I want for the second half of my life?” Having grown up in a religious Jewish household in New Jersey, the daughter of a kosher-keeping father and a spiteful, unbelieving mother, Shapiro found herself, by her mid 40s, still making peace with her deceased parents. Recently, the author, her husband and their young son, Jacob, moved from Brooklyn to a bucolic spot in Connecticut, enjoying the simple life, doing yoga and going on retreats—yet not unaware of sudden, inexplicable calamity, like the illness suffered by Jacob as a six-month-old baby. Although his infantile seizure disorder was resolved with medication, Shapiro felt plagued by the specter of mortality, or as she learned through her Buddhist practices, what the Buddha gleaned under the Bodhi tree: “the fragility of life, the truth of change.” Befriending such well-known yoga teachers as Sylvia Boorstein and Stephen Cope, whose teachings grace this memoir, the author worked through her alienation from God. She found a neighborhood synagogue and started Jacob at Hebrew school, attended occasional services, donned her father’s traditional garb for the Jewish Theological Seminary’s first egalitarian service and found joy in visiting her aged aunt. In short, Shapiro recognized that the sacred can be found in the familiar and everyday. There is much pretty writing here, taking cues from the limpid prose of Annie Dillard and Thoreau, as well as a winning candor and self-scrutiny.

Measured, protracted prose leads this affecting journey.

Pub Date: Feb. 1, 2010

ISBN: 978-0-06-162834-4

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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