by Dani Shapiro ‧ RELEASE DATE: Jan. 15, 2019
For all the trauma that the discovery put her through, Shapiro recognizes that what she had experienced was “a great...
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Before focusing on memoirs, Shapiro (Hourglass: Time, Memory, Marriage, 2017, etc.) drew from her family life in her fiction. In her latest, she delves into an origin story that puts everything she previously believed and wrote about herself in fresh perspective.
The author’s relationship with her mother was difficult. “My single best defense had always been that I was my father’s daughter,” she writes. “I was more my father’s daughter. I had somehow convinced myself that I was only my father’s daughter.” Eventually, she learned that she wasn’t her father’s daughter at all, at least not in the way that she had initially understood. Through DNA testing to which she had only submitted because her husband had done so, Shapiro discovered that she shares none of hers with her father’s side of the family and that the sperm that impregnated her mother had come from someone else. But who? The first half of the book trudges through a bit too much day-by-day detail, as the author becomes convinced that there’s no way these results could have been mistaken. It is after she discovers who her real father is, or at least the sperm donor, that the narrative deepens and enriches our deeper understanding of paternity, genetics, and what were then called “test tube tots.” Sperm donors had been guaranteed anonymity, and the man she contacted was initially resistant to upset the balance of his family dynamic because of his participation in the procedure decades earlier. Equally upsetting Shapiro was the issue of what her parents had believed, separately or together, about her parentage. Had they spent their lives as a family deceiving her, or had they also been deceived? Then there was the doctor whom they had consulted when they were having fertility issues, “an outlaw” whose credentials were shaky but whose results were impressive.
For all the trauma that the discovery put her through, Shapiro recognizes that what she had experienced was “a great story”—one that has inspired her best book.Pub Date: Jan. 15, 2019
ISBN: 978-1-5247-3271-4
Page Count: 272
Publisher: Knopf
Review Posted Online: Sept. 24, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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