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No More Illusions. . .A Mystery

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In the first volume of this California-based mystery series, middle-aged rookie cop Dylan Blake gets pulled into a murder case that recalls his own painful past.

Forty-something Blake is enjoying some time alone in nature in Big Sur when he receives a call from Chief Cooper, his top boss back at the Sierra Springs Police Department. Kate Winslow, a local businesswoman and ex-wife and sister to rich men, is concerned about the car accident that took the life of Jack Hamilton, the business partner she just fired. Since Hamilton’s car went over a cliff near where Blake is vacationing, Cooper asks Blake to scope out the crash scene. On his climb up after completing this task, Blake is nearly killed by someone throwing rocks from above. While local police initially dismiss Hamilton’s death as a suicide, Blake continues to investigate, soon meeting up with the alluring Kate, her sleazy ex-husband, and their 20-something daughter, Allison, who is living on her own and working as a prostitute. Blake senses that the Winslows are dealing with issues similar to those faced by his own family, which led to his depression and divorce; he got back on track only recently when he joined the force. When Kate’s ex-husband shows up dead, events escalate, putting Blake’s life once again in jeopardy. Kate’s brother in Utah rises up as a nemesis, and even Blake’s mother in Georgia gets threatened before there’s a resolution of sorts to the murky case. First-time novelist Babka weaves a multilayered tale that has shades of California noir à la Chinatown. Blake’s desire for connection as well as escape through nature is affectingly portrayed, and his interactions with the damaged Allison are particularly touching. However, Babka’s narrative occasionally gets bogged down in his protagonist’s back story, his various tics (e.g., trying to eat healthy) and key relationships, including those with a new girlfriend and a local African-American boy. Still, there’s rich material to mine in this strong start to a new series.


Accomplished, ambitious crime fiction launching a sensitive, complex hero and a promising array of supporting characters.

Pub Date: Oct. 15, 2014

ISBN: 978-0-9910601-2-2

Page Count: 382

Publisher: Blue Squirrel Press

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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