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RESTORATION

From the Gaia Origin series , Vol. 1

Insightful dystopian tale with dynamic characters and a surfeit of surprises.

Awards & Accolades

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A scientist in the late 21st century awakens her cryogenically frozen grandfather for his expertise—an illegal act that puts global authorities on her trail—in this sci-fi debut.

A few years after losing his wife in a plane crash, terminally ill Dr. Evan Feldman hopes he can return from the dead someday. This is a possibility, as his company, Telogene Life Sciences, has secretly developed cryogenic suspension technology. Fifty years after Evan’s death, in 2075, his granddaughter, Dr. Aubrey Harris, is there at his restoration. But there are a few snags. For one, damage to a storage facility resulted in loss of genetic material, so Evan’s “engramic archive”—essentially his digitized memories, thoughts, and feelings—is in another body. More significantly, as the Human Dignity and Decency Act passed anti-cloning legislation two decades earlier, Aubrey and Telogene are breaking the law. While Aubrey is ensnared by the authoritarian Global Federation of Nations, her colleagues Dr. Chen Li Hao and Yin Li evade GFN’s jurisdiction by taking Evan to Luna (aka, the moon) and later Mars. The restored Evan can assist in overcoming a lethal genetic mutation among humans, but the real reason he’s awake involves abundant secrets and may leave him questioning the repercussions of his extended life. Though McWhorter’s novel thrives on mystery and unveiling twist after twist as the story progresses, it also boasts sci-fi trademarks. For example, Earth has been ravaged by worldwide drought and famine, and there’s plenty of chic tech, such as minidrones linked to optical implants. Furthermore, the plot shrewdly tackles the oft-posed question about humans (Do they have souls?), highlighted by Chen’s convincing argument that people are defined by their energy, not their physical forms. The author establishes a steady tempo (intermittently inserting bits of backstory rather than revealing it all at once) and provides most characters with personalities, including the GFN police, or Peacekeepers, pursuing Evan and the others. Despite some finality by the end, there’s a clear setup for a sequel.

Insightful dystopian tale with dynamic characters and a surfeit of surprises.

Pub Date: Aug. 3, 2018

ISBN: 978-1-983204-90-6

Page Count: 360

Publisher: Time Tunnel Media

Review Posted Online: Oct. 19, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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