Insightful dystopian tale with dynamic characters and a surfeit of surprises.
A scientist in the late 21st century awakens her cryogenically frozen grandfather for his expertise—an illegal act that puts global authorities on her trail—in this sci-fi debut.
A few years after losing his wife in a plane crash, terminally ill Dr. Evan Feldman hopes he can return from the dead someday. This is a possibility, as his company, Telogene Life Sciences, has secretly developed cryogenic suspension technology. Fifty years after Evan’s death, in 2075, his granddaughter, Dr. Aubrey Harris, is there at his restoration. But there are a few snags. For one, damage to a storage facility resulted in loss of genetic material, so Evan’s “engramic archive”—essentially his digitized memories, thoughts, and feelings—is in another body. More significantly, as the Human Dignity and Decency Act passed anti-cloning legislation two decades earlier, Aubrey and Telogene are breaking the law. While Aubrey is ensnared by the authoritarian Global Federation of Nations, her colleagues Dr. Chen Li Hao and Yin Li evade GFN’s jurisdiction by taking Evan to Luna (aka, the moon) and later Mars. The restored Evan can assist in overcoming a lethal genetic mutation among humans, but the real reason he’s awake involves abundant secrets and may leave him questioning the repercussions of his extended life. Though McWhorter’s novel thrives on mystery and unveiling twist after twist as the story progresses, it also boasts sci-fi trademarks. For example, Earth has been ravaged by worldwide drought and famine, and there’s plenty of chic tech, such as minidrones linked to optical implants. Furthermore, the plot shrewdly tackles the oft-posed question about humans (Do they have souls?), highlighted by Chen’s convincing argument that people are defined by their energy, not their physical forms. The author establishes a steady tempo (intermittently inserting bits of backstory rather than revealing it all at once) and provides most characters with personalities, including the GFN police, or Peacekeepers, pursuing Evan and the others. Despite some finality by the end, there’s a clear setup for a sequel.
Insightful dystopian tale with dynamic characters and a surfeit of surprises.Pub Date: Aug. 3, 2018
ISBN: 978-1-983204-90-6
Page Count: 360
Publisher: Time Tunnel Media
Review Posted Online: Oct. 19, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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