by Daniel Easterman ‧ RELEASE DATE: Feb. 1, 1994
An explosive Qumran papyrus spirited out of the Thousand Year Reich by its Soviet occupiers surfaces 50 years later as the brass ring in a grandly scaled game of intrigue—and the bane of unassuming Irish linguist Jack Gould's existence. What makes the papyrus—a letter from an Essene leader opposing rapprochement with Rome in the name of Judaic fundamentalism—deadly is its authorship by Jesus, revealed as an orthodox Mosaic zealot rather than as the Messiah. When Jack, responding to an urgent summons from his old friend Iosif Sharanskii in Moscow, agrees to help Iosif smuggle the document out of the country, he finds himself variously pursued by (1) KGB stalwarts, determined to keep their hold on this treasure; (2) the Crux Orientalis, a Catholic group who plan to impeach the document, attributing it to a Zionist conspiracy in order to strengthen their hopes of a new Holy Roman Empire throughout Europe; (3) a covey of right-wing prelates bent on destroying the document in order to preserve the True Church; and (4) an outlaw faction of Catholic priests who want to publish the document to the world. ``Rescued'' repeatedly by allies who turn out to be just as treacherous as the people they're rescuing him from (to the cost of much confusion for both Jack and the reader), Jack eventually finds himself in a Crux Orientalis cross-fire raging around Maria Rosewicz, the woman he loves: on one side, her husband Karl von Freudiger, a Ruhr industrialist who thinks 1945 was just a temporary setback; on the other, her father Stefan, a Stasi survivor planning to groom his grandson for world domination under a new world order. (But don't count the papists out either.) Easterman (Name of the Beast, 1992, etc.) provides an irresistible mÇlange: an attractive (if not overly bright) hero and heroine, international conspiracies, religious paranoia, a corps of double agents whose loyalties can turn on a dime, and an enormous supporting cast, most of whom end up getting executed by each other.
Pub Date: Feb. 1, 1994
ISBN: 0-06-017768-3
Page Count: 448
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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