Behind-the-scenes look at hotel management and personal angst overpower the meager mystery.
A trendy New York hotel provides the setting for a brutal murder.
Canadian Trevor Lambert’s life revolves around his job as director of rooms at the extravagant Universe Hotel, a job he finds especially difficult when grumpy Brenda Rathberger, director of VOID (Victims of Impaired Drivers), arrives in advance of a big meeting. Trevor and Brenda stumble over the body of Willard Godfrey, Trevor's hero and owner of the hotel, apparently a victim of an alcohol-fueled hit and run. Trevor walked home but his fellow executives, the only people with access to the underground garage where the body was found, had all taken their vehicles out despite a night of heavy drinking at the staff Christmas party. Trevor neglects his visiting mother as he strives to keep things together at the Universe, and his fellow directors are all jockeying for the managing directing job even as their personal lives are falling apart. Ex-astronaut Matthew Drummond gets the nod from Godfrey’s daughter Cynthia, a party girl with no interest in the Universe, and Drummond delegates practically every job to Trevor, whose own personal life has been ruthlessly pushed aside by his passion for the hotel. Angry VOID members cause Trevor major problems exacerbated by Brenda’s interview with muckraking journalist Honica Winters. Trevor becomes a reluctant sleuth when all their jobs depend on finding the murderer.
Behind-the-scenes look at hotel management and personal angst overpower the meager mystery.Pub Date: Sept. 1, 2007
ISBN: 978-0-7387-1118-7
Page Count: 480
Publisher: Midnight Ink/Llewellyn
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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