An elegant, literate and literary mystery of appearances and disappearances.
Pensive, sometimes oppressive, altogether impressive novel by a young writer only now becoming known outside Brazil.
A translator of Zadie Smith and David Mitchell, Galera here blends some of the wistfulness of Latin American magical realism with a brooding dystopianism. His Macondo is a place called Garopaba, a beach town that the world pretty well forgets once the season is over. There, a blameless and nameless young man, left in the world without family or friends, finds an anchorage of sorts and even something like love: “Jasmim is the first person he has ever met,” our narrator tells us, “who knows what prosopagnosia is.” Prosopa what? Well, the young man has an unfortunate condition that causes him to forget faces, which makes it altogether too easy for bullies to victimize him without him being able to identify the assailant. So they do, but they 'fess up to things like stealing his faithful old canine companion: “I forget people’s faces,” he says. “Now who was it?” Says the bad guy, “It was me,” knowing that his victim won’t remember in a minute, that he isn’t even capable of hating his enemies, since he can’t tell them apart from anyone else. His tormentors may have cause to behave badly, though, since, as the young man learns, his grandfather, who was killed in Garopaba, may not have been altogether undeserving of his fate. Galera writes lyrically of a land of jungle and beach, even when the mood turns Hitchcock-ian: “He steps on a loose stone, and his fall is broken by his backpack, but his elbow gets a good whack, and he feels the pain travel up his arm to his shoulder like an electric shock.” The mystery mounts: Will the young man plunge onto the rocks below? Will those he trusts betray him? Are we really made of stardust? All will be revealed, though Galera warns on the last count, “Stop talking like hippies.”
An elegant, literate and literary mystery of appearances and disappearances.Pub Date: Jan. 26, 2015
ISBN: 978-1-59420-574-3
Page Count: 384
Publisher: Penguin Press
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
BOOK REVIEW
BOOK REVIEW
PROFILES
Scouring contemporary insights—in prose as lithe and potent as vines in a rain forest.
Morrison's fine-tuned, high-strung characters this time—black and white Americans caught up together in a "wide and breezy" house on a Caribbean island—may lack the psychic wingspread of Sula or Milkman of Song of Solomon. Yet within the swift of her dazzlingly mythic/animistic fancies, and dialogue sharp as drum raps, they carry her speculations—about black and white relationships and black female identity—as lightly as racing silks. Slim, trim, coolly witty Valerian Street, a retired white Philadelphia candy manufacturer partnered by querulous second wife Margaret (once "Maine's Principal Beauty"), is the wily Prospero for his household of obligated attendants. The strange musics of the island, however, are heard better by the natives—like near-blind Theresa, who knows the island's slave legends. Somewhere in between are Valerian's excellent, elderly black retainers: butler Sidney, starched by his old pride in being "one of the industrious Philadelphia Negroes"; and his wife, Ondine the cook, who nurses swollen feet and curses the Principal Beauty. And the crown of Sidney and Ondine's lives is their stunning niece Jade, to whom Sidney serves food immaculately on silver trays as she dines with Valerian (who financed her superior education abroad). But this delicate assortment of nervous dependencies begins to shiver with the shattering arrival of Son, an unkempt American black man on the run, one of the "undocumented." Valerian, amused by the horror of the household, invites Son as a guest; once cleaned and beautiful, Son begins his courtship of Jade, a woman fearful of a devouring sexuality and a black affirmation. And then, at Christmas dinner, the six of this unlikely peaceable kingdom sit down together only to writhe in a lavaslide of raw, inter-locked revelation and ancient rage. Result: Jade and Son flee to the States, where she—an educated, restless city woman—has a future, while he has only a past: woman-cosseted, woman-dominating. She says: "Mama-spoiled black man, will you mature with me?" He says: "Culture-bearing black woman, whose culture are you bearing?" They try to rescue each other, but their lives cannot mesh: Jade will be a worker, a neuter, rejecting nurturing and heading for Paris; grieving Son will be led by Theresa to a ghostly liberation.
Scouring contemporary insights—in prose as lithe and potent as vines in a rain forest.Pub Date: March 12, 1981
ISBN: 978-0-394-42329-6
Page Count: 332
Publisher: Knopf
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: March 1, 1981
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Cha’s storytelling shows how fiction can delicately extract deeper revelations from daily headlines.
A real-life racial incident is transfigured into a riveting thriller about two families’ heartbreaking struggles to confront and transcend rage and loss.
It is the late summer of 2019, but no matter how many years have passed, Shawn Matthews, a black ex-convict now working for a Los Angeles moving company, is burdened by memories of the early spring of 1991, when his teenage sister Ava was shot to death by a Korean woman who mistakenly believed she was stealing from her convenience store. The shooting and the resulting trial—in which the woman was convicted and received no jail time, after which she relocated to another part of LA—fed into racial tensions already festering back then from the Rodney King trial. And the city’s reactions to a present-day shooting death of an unarmed black teen by a police officer indicate that those racial animosities remain close to the boiling point. In the midst of the mounting furor, Grace Park, a young Korean woman, is shaken from her placid good nature by the sight of her mother being wounded in a drive-by shooting. “What if she is being punished?” her sister Miriam says, revealing a shocking fact about their mother's past that Grace hadn't known. An LAPD detective asks Shawn if he has an alibi for the drive-by (which he does). Nonetheless, the most recent shooting upends his fragile sense of security, and he starts to wonder where his cousin, Ray, himself just released from prison, was when Grace’s mother was shot. Cha, author of the Juniper Song series of detective novels (Dead Soon Enough, 2015, etc.), brings what she knows about crafting noir-ish mysteries into this fictionalized treatment of the 1991 Latasha Harlins murder, blending a shrewd knowledge of cutting-edge media and its disruptive impact with a warm, astute sensitivity toward characters of diverse cultures weighed down by converging traumas.
Cha’s storytelling shows how fiction can delicately extract deeper revelations from daily headlines.Pub Date: Oct. 15, 2019
ISBN: 978-0-06-286885-5
Page Count: 320
Publisher: Ecco/HarperCollins
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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