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LIGHTING OUT

A VISION OF CALIFORNIA AND THE MOUNTAINS

In a sort of nouveau Dharma Bums, drifting in and out of Bay Area counterculture and the High Sierra, young Californian Duane combines a climber's journal with a memoir of the year following his graduation from Cornell. This writer hates cities and loves mountains so much that he dropped out of his junior year in Paris and headed for the PyrÇnÇes instead. Rejected by grad school, having ``failed at the Ivy League,'' he watches fraternity brothers get jobs at places like Salomon Brothers. (``Guys twenty-one years old wore the same suits as the broken-down old timers, both letting careers eat the whole middle out of their lives.'') He heads west, gets a job in a mountain-climbing equipment store in Berkeley, his hometown, hangs out with his youthful but wise parents, former 60's civil-rights activists, and cautiously, gently begins an affair with Kyla, a feminist organic gardener at U.C. Santa Cruz who worships the Goddess and wonders if she's gay. In one scene, naked in a meadow, they eat guavas while making love. Seeking some kind of logic and order to his life, Duane, under the tutelage of his father and uncle, both of whom are middle-aged and in better shape than he, sets himself the painstaking task of preparing for, and climbing, the biggest and most dangerous rock in the Sierra—El Capitan. On the granite faces of Yosemite, Duane's prose comes most alive. ``As we slid down our ropes the hues of cloud and stone on Half Dome continued to shift, light and vapor painting and repainting the wall.'' In the arenas of sport and love, he learns patience, understanding, and how to confront his fear. Lively and engaging, if sometimes too earnest and self- indulgent, this is a good graduation present for those Generation X-ers who can afford to be nonmaterialistic these days.

Pub Date: April 1, 1994

ISBN: 1-55597-210-1

Page Count: 320

Publisher: Graywolf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1994

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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