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HOW TO SAY GOODBYE IN CUBAN

A heartfelt, suspenseful story about family and resilience.

In the late 1950s, a boy’s life is turned upside down by the Cuban Revolution.

In this touching graphic memoir, Miyares depicts his father Carlos’ childhood before and during dictator Fidel Castro’s ascent to power. Affectionate interactions between Carlos and his mamá and abuelo and vibrant shades of green and blue portray the joy Carlos felt growing up in rural Ceiba Mocha. So, when his hardworking papi won the lottery and relocated the family to the city to launch his dream of owning a woodshop and selling furniture, the move was a huge adjustment for nature-loving Carlos. At school, kids teased him for being a “country kid,” but nothing compared to the fear Carlos experienced when the government was overthrown. Miyares intersperses brief, digestible political updates in black-and-white throughout, forming a stark contrast to the vivid color palette of Carlos’ daily life. Suddenly, men with guns seized Papi’s business. Food was rationed. Neighbors spied on each other to see who didn’t support the revolution—and they had their eye on Papi. Rumors abounded that those who opposed communism or Castro were being shot. Worst of all, one day Papi disappeared. But even when things were at their bleakest, Carlos and his family found hope in the possibility of making one more move—to America and freedom. The expressive art in this powerful work has a nostalgic feeling while also conveying emotional immediacy.

A heartfelt, suspenseful story about family and resilience. (author’s note) (Graphic memoir. 8-12)

Pub Date: Sept. 30, 2025

ISBN: 9780593568293

Page Count: 240

Publisher: Anne Schwartz/Random

Review Posted Online: yesterday

Kirkus Reviews Issue: July 15, 2025

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BROWN GIRL DREAMING

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share.

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  • National Book Award Winner


  • Newbery Honor Book

A multiaward–winning author recalls her childhood and the joy of becoming a writer.

Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevieand Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

Pub Date: Aug. 28, 2014

ISBN: 978-0-399-25251-8

Page Count: 336

Publisher: Nancy Paulsen Books

Review Posted Online: June 24, 2014

Kirkus Reviews Issue: July 15, 2014

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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