by Daniel Miyares ; illustrated by Daniel Miyares ‧ RELEASE DATE: June 17, 2014
For clever cautionary tales with a lingering bite, try those by Jon Scieszka, James Marshall or Jon Klassen.
“The Gingerbread Boy” meets “The Mitten” in this tale of a self-centered (and doomed) protagonist squawking about an increasingly crowded setting.
The digital mixed-media sky is blue, and the clouds are puffy as a yellow bird descends to a deserted dry patch of ground in the pond. The peace is short-lived; a shadow blocks the sun, and a heron descends, followed by a frog and a turtle—each uttering the titular phrase, much to the vocal and graceless annoyance of the grumpy bird. When a fox begins to speak, readers may assume this is the end—or that he is about to echo the others—but the rude protagonist sends the animals scurrying with this interruption: “WELL, PARDON ME, BUT THIS IS MY PERCH, AND I DON’T CARE WHAT YOU HAVE TO SAY!” As night falls, he achieves ultimate rest when the “land mass” rises, and the crocodile he’s been sitting on has the last “pardon”—a burp. This one-trick book is entertaining enough on the first read: The contrast between the warm and cool palettes as the action ascends and descends and the twist in the final scene will hold children’s interest. On rereadings, however, the soft focus, overly determined digital strokes and sarcastic patter offer little to sustain attention.
For clever cautionary tales with a lingering bite, try those by Jon Scieszka, James Marshall or Jon Klassen. (Picture book. 4-7)Pub Date: June 17, 2014
ISBN: 978-1-4424-8997-4
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: April 15, 2014
Kirkus Reviews Issue: May 1, 2014
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by Hoda Kotb ; illustrated by Chloe Dominique ‧ RELEASE DATE: March 5, 2024
Pleasant enough but not particularly original.
Uplifting messages of positivity from the Today show anchor.
Hope springs eternal, so the saying goes. Kotb agrees, here delivering to children the cheery news that hope lives inside all of them and that whatever they might wish for can be theirs. All they need is a sunny outlook, and the possibilities for happy outcomes are virtually endless. Children’s dreams can be in-the-moment ones—like purple ice cream with whipped cream and a cherry—or more far-ranging ones, such as growing tall enough to reach that high shelf easily or for hair that’s long enough to braid. It doesn’t matter, the author reassures young readers. Your aspirations will be realized, so don’t give up on them—just keep believing in them and, most of all, in yourself. Throughout, Kotb calls hope a rainbow, a feeling, a gift, and a wish. Hope is “new friends you’ll find— / friends who are loving and funny and kind.” Hope is “practicing your heart out, letter by letter.” The book’s overarching theme is upbeat, but its bouncy rhyming text is clumsy. The child-appealing illustrations are colorful and lively, though they have a generic look. The cast of wide-eyed characters is racially diverse; some have visible disabilities.
Pleasant enough but not particularly original. (Picture book. 4-7)Pub Date: March 5, 2024
ISBN: 9780593624128
Page Count: 32
Publisher: Flamingo Books
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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