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JUDAS SON OF SIMON

Period particulars augment this multilayered portrayal of Judas.

Molyneux’s (Elia’s Proverbs, 2015, etc.) novel follows the life of the disciple Judas.

Beginning with Judas’ father, Simon Bar-Levi, this retelling of one of the most vilified figures in Christianity starts with the appearance of an angel. Simon is told by Azazel, “the most powerful of all angels,” that his wife will give birth to a son, and the son will be named Judah. As a member of the Sadducee sect of Judaism, Simon may not believe in angels, but he is not one to argue. Judas grows to be a son “beyond compare, sharp minded, mature in personality, likeable, and responsible.” Judas marries the daughter of the High Priest Joseph Caiaphas, and it would seem that he has a bright future in front of him. When a man by the name of John begins preaching by the Jordan River, however, Caiaphas becomes concerned enough to send Judas as a spy. Unexpectedly, Judas finds himself strangely won over, and when Jesus emerges, his interest is piqued. Following Jesus as a spy but also a disciple, Judas’ journey takes him through many familiar biblical events and eventually his own tragic ending. Portraying Judas as a man conflicted, the book offers a view that is sympathetic albeit not one that absolves him of his actions (“They could not have arrested him without my help,” Judas sadly reflects on Jesus’ capture). The story is most powerful when incorporating details of the time period. Even readers familiar with Judas’ life may not grasp the finer differences among the Sadducees, Pharisees, and Essenes or the threat of revolution apparent at the time. Likewise, information about the intersection of Roman and local powers provides insight into how a figure like Jesus, so seemingly innocuous to the mighty Roman Empire (particularly when compared with the violent Zealots), could be put to death in such a grisly way.

Period particulars augment this multilayered portrayal of Judas.

Pub Date: Feb. 14, 2017

ISBN: 978-0-9970417-4-3

Page Count: 294

Publisher: Moriah Books

Review Posted Online: Jan. 29, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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