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PURSUIT INTO DARKNESS

Should a Venezuelan mountain be stripped of its rich lode of iron ore by the powerful Proteus corporation, or set aside as an archaeological site? The struggle erupts into a boardroom battle for control of Proteus—and then into primitive conflict in the Venezuelan jungle highly reminiscent of Pollock's Lair of the Fox (1989). Proteus chairman and CEO Sam Warrender goes charging down to Cerro Calvario, determined to stop Professor Arquimedeo Laya L¢pez from digging up any more ``broken pottery'' on the mountain, or at least to cut off Proteus funding for the dig. Entranced by an ancient flute excavated under his eyes, Sam abruptly changes his mind, though not the minds of Proteus's bottom-line crew, headed by company president D.W. Lee. Nor is D.W. swayed by his daughter Jacqueline, a budding filmmaker who joins Sam in siding with the dig—and would obviously like to join him in closer quarters too. But Arqui's treacherous assistant FÇlix Rosales sells him out by insisting to the press that the flute was found elsewhere, a story the Venezuelan government (engorged with a recent transfusion of Proteus cash from D.W.) is only too eager to buy. Standing up for Arqui at a posh reception aboard D.W.'s yacht Kallisto, Sam is discredited by too many drinks and a too-helpful blonde; on his return stateside, the Proteus board dumps him in favor of D.W. But then FÇlix's uncle, an aging loose-cannon revolutionary, starts bombing Proteus sea traffic, including the Kallisto, and kidnaps Jacqueline, setting the stage for Sam and D.W. to bury the hatchet and team up with a pair of handpicked locals to rescue her and resolve the underlying cultural conflicts in some ways you could never imagine. John Wayne as grizzled multinational CEO, with a disconcertingly young partner as spunky and ineffectual as Maureen O'Hara. The rest of this vigorous, overslung saga is just windowdressing.

Pub Date: Sept. 1, 1994

ISBN: 0-671-70575-X

Page Count: 384

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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