A sadly effective dramatization of the comic-strip Pogo’s insight: “We have met the enemy, and he is us.”
Security solutions specialist Aubrey Sentro’s latest attempt to retire from “Moonlighting in the Spook Life” plunges her as deeply into international intrigue as all the others.
Sentro’s old Soviet contact, exiled oligarch Ilya Arshavin, wants her to look into a recent terrorist bombing at the Madrid stock exchange that destroyed $500 million. He doesn’t think the perp was a terrorist, and his fatal shooting soon afterward by the bomber gives his request a certain urgency. Even though her children, Jenny and Jeremy Troon, still recovering from the scars inflicted by her last adventure, beg her to let it go, Sentro, driven by a combination of institutional loyalty and OCD, reluctantly agrees to one more spin of the wheel even though she’s still tormented by nightmares and daytime bouts of amnesia. Her official mission is to lead Canadian Security Intelligence Service special operative Ryan Banks and other interested parties to Pogo, the former Stasi spymaster whose identity she’d learned during her yearlong imprisonment in the Soviet Union back in 1990 and then forgotten. Before she can take more than a few halting steps in that direction, a hit team swoops down on her ranch and kills her current lover, and soon after an awkward conversation in which Sentro shares with Jenny, whom she’s rescued from the ranch in the nick of time, some unlovely secrets of her past, her daughter abandons her to fly to Europe with the glamorous Cuban-born assassin Mercedes Izquierdo. As Sentro gets closer and closer to unmasking Pogo, she realizes that her daughter is following surprisingly closely in her own footsteps in good ways and bad—and that Sentro herself has been living even more lies than she’s known.
A sadly effective dramatization of the comic-strip Pogo’s insight: “We have met the enemy, and he is us.”Pub Date: Feb. 15, 2022
ISBN: 978-1-5420-3104-2
Page Count: -
Publisher: Thomas & Mercer
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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