This could have been a great exercise in high camp—except for the fact that the author seems in deadly earnest.
The latest New Age rant from Quinn (Beyond Civilization, 1999, etc.) includes Chicago gumshoe Howie Scheim’s toughest case: tracking down the devil.
He’s had a lot of aliases down the years (Beelzebub, Baal, Moloch), and Quinn adds a few more (Yoo-Hoo, most memorably). Howie Scheim doesn’t normally take on missing devil cases, but this time a dying Chicago millionaire named Aaron Fischer gives him twenty grand for the work, with the promise of another fifty once he finds his man. Aaron can’t help wondering about all those times in the Old Testament when the Jews abandoned the God of Israel to worship Baal and Ashtaroth and whoever else. The Israelites were not dumb, after all, so Aaron wants to know: What did they see in these false gods? What had they to offer? Howie thinks Aaron has bats in his belfry from the start, but twenty grand is twenty grand, so off he goes. First stop is an old pal at the Trib, who puts him in touch with a psychic, who puts him in touch with a clairvoyant, who puts him in touch with a Satanist, and so on—the usual networking, but in a very different network. Howie learns early on that there’s a lot more going on here than he would have been willing to grant at the start. For one thing, all our ideas about spirituality and God have been deformed by the established secular and religious authorities. Satan is not an evil spirit; he is the incarnation of courage and daring. In fact, he’s not really Satan at all—his name is Pablo, and he’s a nice guy who has always had a soft spot in his heart for humanity. And, yes, Howie does get to meet him.
This could have been a great exercise in high camp—except for the fact that the author seems in deadly earnest.Pub Date: Oct. 11, 2002
ISBN: 1-893956-30-X
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
There’s nothing romantic about Joe’s preoccupation with Beck, but Kepnes puts the reader so deep into his head that...
An impending sense of dread hangs over Kepnes’ cleverly claustrophobic debut, in which love takes on a whole new meaning.
Told from the perspective of Joe Goldberg, a seemingly normal Manhattan bookstore employee, the narrative is structured like a long monologue to the titular “you”: a young woman, Guinevere Beck, who becomes the object of Joe’s obsessive affection. They meet casually enough at the bookstore, and since she’s an aspiring writer just starting an MFA program, they bond over literature. Seems innocuous enough, even sweet, until we learn just how far Joe will go to make Beck—her preferred name—his own. Kepnes makes keen use of modern technology to chronicle Joe and Beck’s “courtship”: He not only stalks her on Twitter, but hacks into her email account and, after casually lifting her cellphone, monitors her text messages. In Joe’s mind, he’s keeping Beck safe from what he perceives as dangers in her life, particularly the clingy, wealthy Peach Salinger (yes, a relative of that Salinger); Beck’s hard-partying ex, Benji; and her therapist, the smooth-talking Dr. Nicky. When Joe and Beck finally, inevitably get together, it only serves to ratchet up Joe’s predatory, possessive instincts. Every text is analyzed as if it were the German Enigma Code, and every email is parsed and mined for secret meaning. There’s little doubt that the relationship is doomed, but Kepnes keeps the reader guessing on just how everything will implode.
There’s nothing romantic about Joe’s preoccupation with Beck, but Kepnes puts the reader so deep into his head that delusions approach reality.Pub Date: Sept. 30, 2014
ISBN: 9781476785592
Page Count: 416
Publisher: Emily Bestler/Atria
Review Posted Online: Aug. 13, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK TO SCREEN
BOOK TO SCREEN
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...
A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.
Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.Pub Date: June 5, 2012
ISBN: 978-0-307-58836-4
Page Count: 432
Publisher: Crown
Review Posted Online: April 22, 2012
Kirkus Reviews Issue: May 1, 2012
BOOK REVIEW
BOOK REVIEW
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