A brisk, approachably radical treatise bolstered by its rueful veteran’s perspective.

PATRIOTIC DISSENT

AMERICA IN THE AGE OF ENDLESS WAR

A scholar/soldier’s jeremiad in favor of “Participatory Principled Patriotism.”

Sjursen, a retired U.S. Army major who served combat tours in Iraq and Afghanistan, writes in deft, mordant prose about the lost tradition of oppositional patriotism and its intersection with the post–9/11 forever wars. “The vast majority of the citizenry has divorced attentiveness to America’s wars—or even basic knowledge about them—from their definition of patriotism,” he writes. The author began questioning his embrace of a professional military career during “fifteen awful, life-altering months” in Iraq, when sectarian violence was at its peak: “The horror, the futility, the farce of the war in Iraq was the turning point of my life.” Yet the Army selected Sjursen to teach at West Point; although he loved it, his scholarship was solidifying his anti-war bent. While he “deftly flew under the radar for quite some time,” his writings eventually were brought to the Army’s attention, leading to medical retirement. He clearly discusses his complex relationship to his service, noting that less than 0.5% of Americans serve in the all-volunteer military, a situation that leads to “pageant patriotism.” As he notes, “taking this veritable soldier worship to the level society has in the twenty-first century can be perilous for the republic.” Later in the narrative, the author pivots toward a broader historical focus, noting that combatants contributed to counternarratives of dissent during all American wars (except World War II). The ferocity of the Vietnam War led to the all-volunteer military; now, dissent has disappeared from the ranks while “service has become ‘optional,’ the responsibility of a tiny professional warrior caste.” These pitfalls were disastrously enacted during the years since the Iraq invasion. “Every one of Bush’s and Obama’s military forays has sown further chaos,” writes Sjursen, “startling body counts, and increased rates of terrorism.” Yet with guarded optimism, he concludes by calling for “a revitalized movement defined by patriotic dissent.”

A brisk, approachably radical treatise bolstered by its rueful veteran’s perspective.

Pub Date: Sept. 8, 2020

ISBN: N/A

Page Count: 160

Publisher: Heyday

Review Posted Online: June 20, 2020

Kirkus Reviews Issue: July 15, 2020

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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