by Daniel Wolff ‧ RELEASE DATE: March 1, 2009
Well thought-out, well-argued and thoroughly engaging.
A riveting, original examination of education inside and outside the classroom.
What makes this work particularly captivating is that music historian Wolff (4th of July, Asbury Park: A History of the Promised Land, 2005, etc.) doesn’t focus primarily on the book learning acquired by a dozen Americans, from Benjamin Franklin to Elvis Presley. Rather, his interest is in how they learned—that is, the life experiences that helped transform them into the figures they became. Taught to read by his mother at home, Abraham Lincoln received little in the way of formal education. His unquenchable thirst for knowledge and constant search for new ideas led him to read widely on his own, notes Wolff, who quotes Lincoln declaring, “I remember how, when a mere child, I used to get irritated when anybody talked to me in a way that I could not understand.” Automotive pioneer Henry Ford, on the other hand, had little patience for books (“they mess up my mind,” he wrote) but loved to work with his hands, which in turn led to a lifelong love of engineering. Helen Keller excelled, the author convincingly argues, because she was allowed to create her own curriculum with teacher Annie Sullivan. John F. Kennedy, a poor student in prep school, learned how to be a leader by forming an on-campus club of rebels and iconoclasts. Wolff delves into the education of other prominent figures, including Andrew Jackson, W.E.B. Du Bois and Rachel Carson, but also looks at such lesser-known Americans as a slave named Belle and Sarah Winnemucca Hopkins, a Native American schoolteacher in the 19th century. Their stories attest that learning doesn’t just happen in a schoolhouse, and life itself may well be the most effective teacher of the most important lessons.
Well thought-out, well-argued and thoroughly engaging.Pub Date: March 1, 2009
ISBN: 978-1-59691-290-8
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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