by Danielle Ganek ‧ RELEASE DATE: May 31, 2010
Agreeable, predictable and forgettable.
Half-sisters reconnect with each other, and with Mr. Rights from their pasts, during the summer of 2008.
Their Aunt Lydia, sister to the father who left Peck’s mother for Cassie’s, has bequeathed her rickety shack in Southampton to the two young women. “The situation,” Peck declares with her usual drama, “is that you and I can’t agree on anything.” Cassie wants to sell Fool’s House and head back to Switzerland, where she works desultorily as a journalist. Peck, a would-be actress living in New York, wants to hang onto the house as an accoutrement to the ultra-fabulous lifestyle she aspires to. She also wants to accept an invitation from Miles Noble, who broke her heart seven years ago, the summer she obsessively read and reread The Great Gatsby and pressed it on 21-year-old Cassie, who’d never read it. Surely it means something that the now fabulously wealthy Miles is throwing “a GATSBY party” and has invited them? Cassie, more sober than her flamboyant semi-sibling, doubts it but agrees to go in hopes of finding architect Finn Killian, who might know the combination to Aunt Lydia’s locked safe. The guy she remembers as a distant older man turns out to be a sexy charmer, though Cassie is convinced against all evidence that he’s “just being polite” as he pursues her throughout the summer. Peck, meanwhile, is dismayed by the vulgarity of Miles’ ostentatious mansion, but comes to appreciate his sterling qualities as the season winds down with hints of the economic meltdown to come. There’s absolutely no suspense about narrator Cassie ending up with perfect Finn, though she’s amazingly obtuse about his interest, and Peck is made up of attitudes and tics rather than actual personality traits. Still, Ganek (Lula Meets God and Doubts Him, 2007) provides enough zippy one-liners, moderately vivid party scenes and adequately attractive descriptions of clothes to sustain a paper-thin plot involving a missing painting and an unwanted houseguest.
Agreeable, predictable and forgettable.Pub Date: May 31, 2010
ISBN: 978-0-670-02178-9
Page Count: 304
Publisher: Viking
Review Posted Online: March 11, 2011
Kirkus Reviews Issue: April 15, 2010
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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