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FAMILY TIES

A listless narrative not helped by Steel’s plodding prose, but her legion of fans aren’t in it for the surprise.

An aunt steps up to mother her orphaned nieces and nephew, in Steel’s predictable latest (A Good Woman, 2008, etc.).

Annie, 26, is on the verge of embarking on an exciting career, and marrying well, when her sister Jane and her husband are killed in a plane crash. With some trepidation, Annie becomes guardian of Jane’s three young children, Liz, Ted and Katie. Annie’s fiancé, not up to the challenge of a ready-made family, bows out. Cut to 16 years later. Annie has never married—she hasn’t had time, thanks to her thriving architecture firm, which caters to New York City’s wealthiest, and the challenges of raising her nieces and nephew. Her efforts have borne fruit: Ted is now in law school, Katie attends Pratt and Liz is a globetrotting jewelry editor for Vogue. After Ted’s Contracts professor, Pattie, a divorcee 12 years his senior, seduces him, he’s sexually in her thrall but knows it’s not love. An ankle sprained at a job site sends Annie to the ER, where (during the interminable wait) she meets high-profile TV-news anchor Tom. After years of bland blind dates, Tom is a refreshing change. The plot duly thickens: Katie drops out of design school to work in a tattoo parlor, and she’s besotted with her new boyfriend Paul, an Iranian/American dual national. Liz’s scruffy French lover Jean-Louis seems to be too friendly with his ex-mistress Françoise, who’s the mother of his child. Pattie stabs Ted’s hand with a steak knife when he tries to leave. Paul and Katie take an ill-advised trip to Tehran, and his relatives confiscate their U.S. passports. Just when Tom and Annie are realizing (after an idyllic stay at a private villa in Turks and Caicos) there is room for each other in their fast-paced lives, it appears that her charges may now need her more than ever.

A listless narrative not helped by Steel’s plodding prose, but her legion of fans aren’t in it for the surprise.

Pub Date: June 22, 2010

ISBN: 978-0-385-34316-9

Page Count: 336

Publisher: Delacorte

Review Posted Online: Sept. 22, 2010

Kirkus Reviews Issue: April 1, 2010

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ON MYSTIC LAKE

Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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