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IN THE HAT

In his second novel, ex-con Martin (The Dishwasher, 1995) delivers crude but effective takes on the outlaw life in northern California. Vernon Coy is living large near Fresno on the sizable earnings of two handsome, good-hearted hookers—his wife Paula and Angela Perry (a.k.a. Curly), who's waiting for Weldon (Vern's elder brother) to complete a 16-year sentence at Soledad for armed robbery. Thanks to the ladies, Vernon has the money and time to work the local cock-fighting circuit with fellow felon Melvin Nix, pitting a tough old bird named Gatorbait against all comers. But Vern's orgiastic idyll comes to a sudden halt when white supremacist gangsters order his death in the mistaken belief that he betrayed one of their crank factories in order to obtain dismissal of prostitution charges against Paula. Though Weldon warns his brother of the impending hit, Vern is preoccupied with tracking down Curly's brother Sam, who's absconded with the working girls' jewelry and a large sum of cash. Despite the lip service he pays to the wisdom of avoiding needless violence, Vern lures Sam to a deserted beach near San Luis Obispo and shoots him to death. While he's on this mission, Paula is killed in a car bombing engineered by the none-too-bright torpedo who was assigned to liquidate Vern. With help from wily Grady McCall (an aging jailbird who was his brother's cellmate), Vern nails Paula's murderer while Weldon butchers a couple of culpable neo-Nazis in their prison bunks. In need of big money to retain top-notch legal counsel for Weldon, Vern comes up with a high-risk/high-reward scheme designed to put all members of his ad hoc family on Easy Street and, perhaps, get him out from under the racist mobsters who still want revenge. An engaging if utterly amoral and occasionally discontinuous narrative, replete with authoritative detail on penitentiary mores.

Pub Date: Sept. 1, 1997

ISBN: 0-684-83335-2

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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