An impressive fantasy sequel featuring a brave apprentice.
This second volume of a YA series focuses on a teenage girl, her gyrfalcon, and a promise made to her grandfather.
At the age of 11, Brittney Eldras stole a gyrfalcon egg from a nest. She raised the bird to be her friend in her lonely home valley of the Heartland. Two years later, Britt has lost her parents in an avalanche. She and her gyrfalcon, Tatty Mog, are partners in life, hunting and growing up together. One day, her grandfather Winchal Eldras, who is a Wayfinder and able to locate anything, claims that he no longer hears the Finder’s Bell. It should be in the city of G’il Rim, to the south. Granfa, as Britt calls him, passes the Finding on to her, beginning her apprenticeship. She must now venture to G’il Rim and search for the Bell. Increasing her challenges are the Zendi, conquerors who hold the Heartland in an economic death grip. They’re a society that worships albinism and has outlawed any but themselves from owning a gyrfalcon. Britt must also beware the Zendi’s intense superstitions and a prophecy revolving around the deaths of seven court ravens. Should the ravens die, war would recommence in the Heartland. In this sequel, Pattison (Pollen, 2019, etc.) delivers a charismatic YA fantasy that features striking worldbuilding centered on the bond between people and animals. She includes veterinary facts, including details about bumble foot, which occurs when a bird cuts itself with an overlong talon and becomes infected. There are also the Tazi hounds, “a breed of royal and telepathic dogs,” like Lady Jetje. The Zendi prince, Oran Ziggmaccus, is a fabulous villain whose code keeps him from cheating at cards yet he has no problem whipping whomever offends him. These elements (and many more) come together in a visionary palette over which the author executes fine control. In one subtly ominous scene, “albinos enter the middle door” of a shrine while “everyone else goes to a side door.” As the drama crescendos, a key component from the previous volume comes into play. A gorgeous finale illustrates the depths of humanity’s companionship with animals.
An impressive fantasy sequel featuring a brave apprentice.Pub Date: July 9, 2019
ISBN: 978-1-62944-123-8
Page Count: 232
Publisher: Mims House
Review Posted Online: May 28, 2019
Kirkus Reviews Issue: July 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Part of Hoffman's great talent is her wonderful ability to sift some magic into unlikely places, such as a latter-day Levittown (Seventh Heaven, 1990) or a community of divorcÇes in Florida (Turtle Moon, 1992). But in her 11th novel, a tale of love and life in New England, it feels as if the lid flew off the jar of magic—it blinds you with fairy dust. Sally and Gillian Owens are orphaned sisters, only 13 months apart, but such opposites in appearance and temperament that they're dubbed ``Day and Night'' by the two old aunts who are raising them. Sally is steady, Gillian is jittery, and each is wary, in her own way, about the frightening pull of love. They've seen the evidence for themselves in the besotted behavior of the women who call on the two aunts for charms and potions to help them with their love lives. The aunts grow herbs, make mysterious brews, and have a houseful of—what else?—black cats. The two girls grow up to flee (in opposite directions) from the aunts, the house, and the Massachusetts town where they've long been shunned by their superstitious schoolmates. What they can't escape is magic, which follows them, sometimes in a particularly malevolent form. And, ultimately, no matter how hard they dodge it, they have to recognize that love always catches up with you. As always, Hoffman's writing has plenty of power. Her best sentences are like incantations—they won't let you get away. But it's just too hard to believe the magic here, maybe because it's not so much practical magic as it is predictable magic, with its crones and bubbling cauldrons and hearts of animals pierced with pins. Sally and Gillian are appealing characters, but, finally, their story seems as murky as one of the aunts' potions—and just as hard to swallow. Too much hocus-pocus, not enough focus. (Book-of-the-Month Club selection)
Pub Date: June 14, 1995
ISBN: 0-399-14055-7
Page Count: 256
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK TO SCREEN
Twenty New England horror shorts by Stephen King (and a painfully lofty introduction by old pro John D. MacDonald). King, of course, is the 30-year-old zillionaire who poured the pig's blood on Carrie, woke the living dead in 'Salem's Lot, and gave a bad name to precognition in The Shining. The present collection rounds up his magazine pieces, mainly from Cavalier, and also offers nine stories not previously published. He is as effective in the horror vignette as in the novel. His big opening tale, "Jerusalem's Lot"—about a deserted village—is obviously his first shot at 'Salem's Lot and, in its dependence on a gigantic worm out of Poe and Lovecraft, it misses the novel's gorged frenzy of Vampireville. But most of the other tales go straight through you like rats' fangs. "Graveyard Shift" is about cleaning out a long unused factory basement that has a subbasement—a hideous colony of fat giant blind legless rats that are mutating into bats. It's a story you may wish you hadn't read. You'll enjoy the laundry mangle that becomes possessed and begins pressing people into bedsheets (don't think about that too much), a flu bug that destroys mankind and leaves only a beach blanket party of teenagers ("Night Surf"), and a beautiful lady vampire and her seven-year-old daughter abroad in a Maine blizzard ("One for the Road"). Bizarre dripperies, straight out of Tales from the Crypt comics. . . a leprous distillation.
Pub Date: Jan. 20, 1977
ISBN: 0385129912
Page Count: 367
Publisher: N/A
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1977
BOOK TO SCREEN
Stephen King’s “Jerusalem’s Lot” to Be Epix Show
BOOK TO SCREEN
BOOK TO SCREEN
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