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WHEN KITTENS GO VIRAL

A largely amusing, if occasionally dark, series starter for cat lovers.

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A feline star is born into a social media dynasty in Pattison’s kids’ chapter book.

Cats, using amazing translation technology, have taken control of KittyTube and can now share and monetize their own video content. In an homage to the golden age of Hollywood studios, Kittywood is run by five major kennels, which engineer lucrative sponsorship deals with cat-food brands. Angel, a white Persian kitten, must quickly learn to adapt to the ups and downs of internet stardom. The road to a viral breakout, however, isn’t an easy one. As the daughter of two KittyTube stars, she must master the tricky skills of posing, acting, and grooming, all while forging political alliances with rival felines—especially her nemesis, Jazz, a Siamese cat who’s consistently ranked Top Kitten week after week. In a Black Mirror–meets–LOLCats plot twist, Angel has to become Top Kitten in order to secure funds to help her estranged father, who’s stranded in France after his starring role in a film titled Puss and Boots fell through. Her mother, MamaGrace, is unable to work after a car accident left her partially blind and scarred—a possible nod to Cats’ Grizabella. Over the course of the book, cameras loom ominously over the kittens’ lives. Some video sequences can be downright sad, as when Angel looks into the camera and meows: “It was my most woebegone meow. It was a cry for my mama. It was a cry for someone to come and pick me up and pet me.” Mostly, however, Pattison’s characters delight, as when Angel compliments fellow kitten PittyPat, who adores water: “There’s an art to looking charming when your fur is all wet.” Ultimately, the underlying message is that one’s self-worth should never get tangled up in the number of views one gets. Standard’s bubbly, black-and-white pen-and-ink illustrations appear throughout, lending even more charm to an already whimsical story. Standard’s enthusiasm for animals is clear; one only wishes there were more of her drawings here.

A largely amusing, if occasionally dark, series starter for cat lovers.

Pub Date: April 7, 2020

ISBN: 978-1-62944-142-9

Page Count: 122

Publisher: Mims House

Review Posted Online: Jan. 31, 2020

Kirkus Reviews Issue: April 1, 2020

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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