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WOODSTAKE

A free-spirited, blood-thirsty horror story set at history’s greatest rock concert.

A group of hippies in Woodstock find peace, love, and vampires in Cape’s horror-tinged graphic novel.

San Francisco, 1969. Idealistic but ambitious young writer Jon Harper is trying to get his music magazine off the ground. So far, it’s been a total money pit. If he can make it to the upcoming music festival in Bethel, New York, however, he might be able to get the interview with Jimi Hendrix he needs to finally put Psych & Roll on the map. As Jon, his girlfriend, Nina Murray, his friend Artie, and half a million other hippies descend on upstate New York, an ancient evil awakes from a decadeslong slumber. The shapeshifting vampire is looking to rebuild his brood, and the hordes of young concert-goers will make the perfect recruits. The only one who knows how to stop the vampire is local doctor Alexandru Van Helsing, whose father helped defeat the creature the last time he woke. But the vampire has since learned some lessons, and this time, he quickly lures the local sheriff into his service. After witnessing a murder, Jon and his friends unwittingly become the vampire’s next target. Nina and Artie take the threat seriously, though they don’t quite understand the full scope of the danger, but Jon refuses to let himself get distracted from his mission to interview Jimi, a blind desire that the vampire can use to his advantage. The psychedelic horror story finds a suitable match in the full-color artwork by Kroll, who blends painting and digital effects to achieve an uncanny richness. The mix of vampire lore and 1960s music culture provides opportunities for humor. (“Not Jimi!” Artie cries after learning vampires are hunting the guitarist. “Take Pete Townsend”). Just as often, though, Cape’s willingness to dispatch his characters creates moments of gory terror. It turns out hippies get a lot less peaceful when they’re undead! Fans of Woodstock and vampires both will find much to enjoy in this chilling volume.

A free-spirited, blood-thirsty horror story set at history’s greatest rock concert.

Pub Date: April 7, 2026

ISBN: 9798992749915

Page Count: 192

Publisher: SHP Comics

Review Posted Online: Nov. 11, 2025

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MACBETH

From the Wordplay Shakespeare series

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...

A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.

The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.

Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)

Pub Date: Sept. 9, 2013

ISBN: N/A

Page Count: -

Publisher: The New Book Press LLC

Review Posted Online: Nov. 6, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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WE CALLED THEM GIANTS

Lush visuals bring this thoughtfully constructed tale to life.

Wondrous visitors encounter a desperate pocket of humanity.

Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.

Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)

Pub Date: Nov. 12, 2024

ISBN: 9781534387072

Page Count: 104

Publisher: Image Comics

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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