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SUNDAYS WILL NEVER BE THE SAME

RACING, TRAGEDY, AND REDEMPTION--MY LIFE IN AMERICA'S FASTEST SPORT

An absorbing exploration of one of America’s most popular, and dangerous, sports that will be most appealing to NASCAR fans.

NASCAR legend Waltrip (DW: A Lifetime Going Around in Circles, 2004) takes us onto the track, into the pits and behind the scenes of his racing career.

The author—a three-time winner of the NASCAR Series Cup and winner of the 1989 Daytona 500, a race he describes as NASCAR’s “Super Bowl”—was in the broadcast booth for the 2001 edition, cheering on his younger brother Michael, the eventual victor. That victory was overshadowed, however, by the death of driver Dale Earnhardt in a final-lap crash, and Waltrip’s chilling description of the race and its aftermath are the entry point into an exploration of the author’s life behind the wheel. The majority of the book covers ground familiar to readers of his previously published autobiography, including youthful car chases with the police, triumphs and failures on the track and his discovery of religious faith. Waltrip pays particular attention to his relationships with other drivers including Earnhardt, Bobby Allison and Cale Yarborough, and how their battles on the track often spilled into their personal lives. The author also provides some fascinating background history on racing at Daytona, again emphasizing the dangers faced by the drivers, and the many injuries and fatalities that have taken place there and elsewhere on the racing circuit. In the end, Waltrip argues that only the death of the sport’s greatest star, Earnhardt, led to changes in NASCAR’s attitude to safety, and even then it took strong pressure from him and others to force the adoption of stronger measures by a culture that prizes the recklessness of its heroes.

An absorbing exploration of one of America’s most popular, and dangerous, sports that will be most appealing to NASCAR fans.

Pub Date: Feb. 7, 2012

ISBN: 978-1-4516-4489-0

Page Count: 256

Publisher: Free Press

Review Posted Online: Jan. 8, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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