A joyful marine romp.
A companion to Lebeuf and Barron’s previous outing, My Forest is Green (2019).
A young tot with short blond hair, pale skin, and a wondrous fascination with the ocean looks forward to spending the day at the beach. Incidental to the text but prominent in the illustrations, the child also uses forearm crutches. Cut paper that’s been textured with watercolor, acrylic, and pencil crayon creates the scenes of pebbled sand, frothy waves, and quiet tide pools. The child sees the ocean as a multitude of opposites. Sometimes it is “big” (with a vast, endless horizon), and sometimes it is “small” (a tiny hermit crab pokes out its head). Sometimes it is “dry” (a large piece of driftwood), and sometimes it is “wet” (a splashing water fight). Lebeuf gradually builds to more lyrical phrases. Sea gulls, whales, and dolphins playfully cavort while a motorboat slides by: “My ocean splashes and crashes / and echoes and squawks. // My ocean laughs and hums.” The real delight, besides the intentional focus on detailed observations, is the ease with which the child’s disability is slipped into the illustrations. At times, the crutches are laid aside, showing the tot swimming, kneeling, or playing in the sand. Any possible preconceived limitations are dashed—instead, childlike wonder and curiosity shine.
A joyful marine romp. (Picture book. 3-6)Pub Date: March 3, 2020
ISBN: 978-1-5253-0143-8
Page Count: 32
Publisher: Kids Can
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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