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BACK IN THE DAY

MY LIFE AND TIMES WITH TUPAC SHAKUR

Exclusively for fans.

Reminiscences of the author’s high-school days with slain hip-hop star Tupac Shakur.

Shakur, gunned down early in his career, spent his teenage years at the Baltimore School for the Performing Arts, where he worked on his acting skills, pined for his home in New York City, and met Bastfield, now a music manager. The two became fast friends through their shared love of rap, still a new musical form when the two met in the mid-’80s. Bastfield documents their shared circumstances: both were older siblings from poor, single-parent households, with “fathers no more than a question mark, with barely a face to associate.” Both were also fiercely ambitious and dedicated to their music, first competing against each other in informal schoolyard challenges, and eventually joining forces. Bastfield gives a detailed chronology of the two years he and Shakur shared (the author graduated before Shakur), and the concerns and social activities that filled their days. A portrait of Baltimore also emerges—a gritty, harsh place where citizens struggle to hold their community together; indeed, the city is more vivid than Shakur himself. The rap star remains a cipher, his voice muted. Bastfield mentions the countless hours the two spent together, but even in high school, the author says, “my attempts to figure out my new subject were compromised by a veil that hovered about him.” Fifteen years later, no fresh revelations are available. The work is, instead, Bastfield’s story of high school, as it related to his charismatic and inscrutable friend. The work assumes a working knowledge of Shakur’s entertainment career; his professional accomplishments are mentioned only in passing. Bastfield’s prose oozes sincerity, but his exuberant phrasing plays fast and loose with standard phrasing.

Exclusively for fans.

Pub Date: June 1, 2001

ISBN: 0-345-44775-1

Page Count: 208

Publisher: One World/Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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