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GALILEO'S DAUGHTER

A HISTORICAL MEMOIR OF SCIENCE, FAITH, AND LOVE

Sobel, author of the bestselling Longitude (1995), has elegantly translated the letters Galileo’s eldest child, Virginia, wrote to him and uses them as a leitmotif to illuminate their deep mutual love, religious faith, and dedication to science. Yes, Galileo had a daughter, in fact two daughters and a son, the illegitimate offspring of a liaison with a Venetian beauty. Both daughters, considered unmarriageable because of their illegitimacy, became nuns in a convent south of Florence, not far from where Galileo had homes. But Virginia, as Suor Maria Celeste, was deeply involved in her father’s life work, even transcribing his writings, while managing convent affairs and serving as baker, nurse, seamstress, and apothecary. Thus, we learn that Galileo was often confined to bed with incapacitating illnesses and that he treasured the medicines as well as the sweets and cakes his daughter provided. He was also something of a bon vivant, enjoying the wines produced by his vineyards, writing ribald and humorous verse as well as literary criticism. Indeed, his celebrated Dialogues were conceived as dramas involving three persons, with one playing the role of simpleton as foil for the two. In the end, it was the Dialogues that argued for the Copernican view that the Earth moved around the Sun, which invoked the wrath of Pope Urban VIII, who had earlier been a loyal friend and supporter of Galileo. The subsequent trial in Rome ended with Galileo’s recantation and his banishment first to Siena, and then to house arrest in Florence. Sobel provides a few correctives to tradition and fills out the cast of personae who were Galileo’s chief defenders and enemies. But it’s the deft apposition of the devoted and pious letters of Suor Maria Celeste that add not only verisimilitude, but depth to the character of the writer and her father—revealed as a man of great intellect as well as religious faith and lovingkindness. Alas, his letters to her are lost. (First printing of 75,000)

Pub Date: Oct. 21, 1999

ISBN: 0-8027-1343-2

Page Count: 368

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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