by Dave Eggers ‧ RELEASE DATE: Jan. 30, 2018
Eggers gives his hero a lot of thematic baggage to carry, but it is hard to resist the derring-do of the Horatio Alger of...
For a son of Yemeni immigrants, the American dream takes the form of reawakening his ancestral homeland to its coffee legacy, the foundation for the industry he hopes to build.
In his latest book, acclaimed novelist and McSweeney’s founder Eggers (Heroes of the Frontier, 2016, etc.) offers an appealing hybrid: a biography of a charming, industrious Muslim man who has more ambition than direction; a capsule history of coffee and its origins, growth, and development as a mass commodity and then as a niche product; the story of Blue Bottle, the elite coffee chain in San Francisco that some suspect (and some fear) could turn into the next Starbucks; an adventure story of civil war in a foreign country; and a most improbable and uplifting success story. The protagonist, Mokhtar Alkhanshali, not only made it back from Yemen after the U.S. Embassy had closed, leaving remaining American citizens to their own devices, but he was followed by a boatload of some of the richest, best coffee the world has known, “the most expensive coffee Blue Bottle has ever sold…$16 a cup.” One delicious irony is that neither the author nor his subject had been much interested in coffee exotica, with the former initially dismissing anyone “who waited in line for certain coffees made certain ways…[as] pretentious and a fool,” while the latter had only had a couple dozen cups of coffee in his life before he became a grader of beans and then an importer. But this book is about much more than coffee or Muslim immigrants or the conflicts in Yemen—it is about the undeniable value of “U.S. citizens who maintain strong ties to the countries of their ancestors and who, through entrepreneurial zeal and dogged labor, create indispensable bridges between the developed and developing worlds, between nations that produce and those that consume.”
Eggers gives his hero a lot of thematic baggage to carry, but it is hard to resist the derring-do of the Horatio Alger of Yemenite coffee.Pub Date: Jan. 30, 2018
ISBN: 978-1-101-94731-9
Page Count: 368
Publisher: Knopf
Review Posted Online: Oct. 9, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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