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SWEET DREAMS ARE MADE OF THIS

A LIFE IN MUSIC

Amid the glut of music veteran memoirs, this holds more interest than most, though Stewart admits that he isn’t very...

A rock star who realizes that he’s a very lucky man shares how he made his own luck.

Most music fans think of Stewart as the lesser partner in Eurythmics, a duo that owed much of its success to the voice, allure, and songs of Annie Lennox. Yet it was Stewart’s anything-goes adventurism that coaxed the best from Lennox, as he served not only as the sounding board who provided the music, but also the duo’s producer and manager. The most fascinating part of this memoir illuminates the complex relationship the author continues to enjoy with the woman he calls “my dearest friend and closest collaborator,” though what began as a love-at-first-sight romantic relationship was ending even as the two were shifting from the Tourists, their first band together, into the collaboration that would become the Eurythmics. “It’s not easy, this transition from lovers to something else,” writes Stewart. “How do you break up when you’re still together?” Yet just as the contrast between the impetuous Stewart and the more reserved Lennox caused personal tension, their success proceeded from equally disparate elements: “We wanted to create the feeling of beauty and sadness together, like in a garden when the roses have just peaked and are turning blood red—a kind of sweet decay.” Soul and folk, acoustic and synthesized, organic and experimental—“every song became a sonic collage.” His approach also found success beyond the Eurythmics, with Tom Petty scoring big with “Don’t Come Around Here No More,” a song Stewart relates he started after falling into and out of bed with Stevie Nicks. His creative and social orbit eventually included various Beatles, Bob Dylan, Jack Nicholson, and Microsoft’s Paul Allen, though after the Eurythmics, the memoir starts to read, as he quotes an early responder, like “a hell of a cast” in search of a story.

Amid the glut of music veteran memoirs, this holds more interest than most, though Stewart admits that he isn’t very reflective and he too rarely goes deeper than surface anecdote.

Pub Date: Feb. 9, 2016

ISBN: 978-0-451-47768-2

Page Count: 336

Publisher: NAL/Berkley

Review Posted Online: Dec. 19, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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