A must for those with an interest in the music, and of great appeal as well for anyone who enjoys a roistering life story...

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THE MAYOR OF MACDOUGAL STREET

A MEMOIR

Charming, evocative autobiography by one of the key figures in the mid-20th-century folk revival.

The charisma, humor and storytelling chops that made Dave Van Ronk (1936–2002) a Greenwich Village legend are abundantly on display in this memoir, assembled after his death by long-time friend and blues historian Wald. A blue-collar boy from the outer boroughs, Van Ronk dropped out of “Our Lady of Perpetual Bingo” at 15 and headed to the Village to hang out with anarchists and Wobblies. He began his musical life as a jazz fanatic convinced that “folk music was irredeemably square.” But Harry Smith’s paradigm-altering Anthology of American Folk Music in 1951 introduced Van Ronk and a lot of other “neo-ethnics” to the astonishing diversity of traditional American music. They aimed to play it with “authenticity,” scorning the bland sounds of pop-folk acts like the Kingston Trio. Nor did they initially have much interest in writing their own material; among Van Ronk’s many shrewd observations is the reminder that what we now think of as folk music—a singer-songwriter performing self-penned compositions accompanied by an acoustic guitar—is what it was changed into during the ’60s by artists like Tom Paxton, Phil Ochs and Bob Dylan. Big names like Dylan’s enter late in Van Ronk’s narrative, which focuses on the fruitful, unpublicized early years when everyone scraped by with occasional jobs while playing for tips in all-night coffee shops, doing a lot of drinking and dope smoking on the side. It sounds like wonderful fun, and Van Ronk bestrews his pages with sharp, intelligent asides on such matters as the divide between the Cambridge, Mass., folk crowd, who viewed themselves as “pure guardians of the sacred flame” and the more professional singers of the Village, who viewed them as “upper-middle-class kids cutting a dash on papa’s cash.”

A must for those with an interest in the music, and of great appeal as well for anyone who enjoys a roistering life story recounted in a lively narrative voice.

Pub Date: May 1, 2005

ISBN: 0-306-81407-2

Page Count: 320

Publisher: Da Capo

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2005

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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