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MIRACLE MUD

LENA BLACKBURNE AND THE SECRET MUD THAT CHANGED BASEBALL

For young fans who love the odd, fun details of baseball.

A baseball entrepreneur finds a solution to a long-standing technical problem.

Lena Blackburne was at best a journeyman player. He played several positions for several teams, and later, he became a coach just to remain a part of the game he loved. In the first part of the 20th century, new baseballs were hard to handle since they were too shiny and slick, so many different methods were used to dull them. Shoe polish, spit, tobacco juice and dirty water were all tried, but each caused additional problems, as did employing only old, beat-up balls for the entire game. Blackburne was determined to find a better way. When he serendipitously stepped into some soft, gooey, gritty mud at a fishing hole near his home, he brought some to the ballpark, tried it out on some new baseballs and produced perfect results. At first, he provided them only for his own team, but then he sold tubs of the mud to all professional teams. Eventually it became—and still is—the only substance allowed on any baseball. Kelly provides information about an unusual aspect of the game in a sprightly, entertaining story with a great “aha” moment. Dominguez’s bright, expressive double-page spreads follow the events closely and make them live.

For young fans who love the odd, fun details of baseball. (author’s note, statistics) (Informational picture book. 6-11)

Pub Date: April 1, 2013

ISBN: 978-0-7613-8092-4

Page Count: 32

Publisher: Millbrook/Lerner

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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RAFI AND ROSI MUSIC!

From the Rafi and Rosi series

A welcome, well-researched reflection of cultural pride in the early-reader landscape.

The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.

Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.

A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)

Pub Date: Sept. 17, 2019

ISBN: 978-0-89239-429-6

Page Count: 64

Publisher: Children's Book Press

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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