Not nothing, but it could have really been something.
In Anthony's debut, a high-living 1970s aircraft salesman tries to clear his mounting debts by piloting heroin into California from Mexico.
The oil embargo of 1973-74 is especially devastating for Martin Anderson, bon vivant. Emboldened by profits, he's moved his family into an expensive Bay Area suburb and acquired expensive hobbies and baubles: cabin cruiser, racehorse, cabin in Tahoe, big Cadillac. Now he's not only overstretched financially, but his family life is souring, too. His junior-high daughter has been experimenting with pot; his 9-year-old son is sending baffling, aggressive typed notes to classmates: "JESUS HATES YOU." Martin is mired in ever deeper debt, and when his horse trainer, Val, offers a chance to have $40,000 forgiven and earn $5,000 a trip by making night flights as an amateur smuggler, he jumps. As anyone who's ever seen a ’70s detective show or read the scores of similar novels knows, this is a Doomed Idea, drug-dealing thugs being what they are. Things quickly devolve. A narcotics detective starts snooping around, enlisting Martin's aid in a supposedly unrelated case; then Martin accidentally estranges himself from his wife, and she takes off with the kids (the half that's NOT an accident has less to do with Martin's needs than with the plot's; it won't do to have Martin's innocent family around when the mayhem begins). Soon thereafter, Val and his wife are brutally murdered, Martin finds himself with a big cache of drug money and we're set up for a bloody denouement. Where this book exceeds the expectations of its formula is in the finesse and wit with which Anthony handles both the setting and the swaggering, self-absorbed but often likable protagonist—he captures the ethos of the '70s and the soul of sad-sack Martin admirably, and the links to our own time are compelling. But the plot seems contrived and familiar.
Not nothing, but it could have really been something.Pub Date: June 7, 2011
ISBN: 978-1-61620-022-0
Page Count: 352
Publisher: Algonquin
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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