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BITWISE

A LIFE IN CODE

An eye-opening look at computer technology and its discontents and limitations.

“We don’t think right for our world today,” writes programmer and technology writer Auerbach—and putting computers to work solving that fundamental problem is not a panacea.

Computers are tools, and while they may one day outthink us, inaugurating what futurists call the singularity, they’re still tools that can reinforce our human limitations even as they help us to work around them: “if we feed them our prejudices, computers will happily recite those prejudices back to us in quantitative and seemingly objective form,” even making our prejudices seem rational. An early employee at both Microsoft and Google, Auerbach is the rare engineer who is also conversant with literature and philosophy, both of which he brings to bear on interpreting his experiences as a builder of these thinking machines and the heuristics and languages that guide them. In that work, design is everything. One of the author’s asides, which fuels a central theme, concerns the Diagnostic and Statistical Manual of Mental Disorders, which, several editions on, has mutated from its initial goal of standardizing how psychiatrists diagnose disorders to a complex reference for “physician diagnosis, actuarial insurance practices, longitudinal research studies, drug regulation, and more.” Just so, our machines are deficient in many ways, as with Google’s effort to scan millions of books into a Library of Babel that is, in fact, a mess, so that the “heaps of code” thus amassed are best used as approximations rather than trustworthy models. In this matter, he adds, “Google is a dumb god.” Interestingly, Auerbach brings his discussion to a close by counseling that we not worry too much about what, say, big technology companies are planning to do with our data. “At companies like Google or Facebook,” writes the author, “programmers engage with people’s personal information in such a way that they are indifferent to its implications.” That should make the techno-anxious feel a little better—until the machines think better and take over.

An eye-opening look at computer technology and its discontents and limitations.

Pub Date: Aug. 14, 2018

ISBN: 978-1-101-87129-4

Page Count: 304

Publisher: Pantheon

Review Posted Online: May 22, 2018

Kirkus Reviews Issue: June 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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