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THE BETRAYERS

Philosophical, provocative and nervy—an interior novel that manages to encompass a breadth of issues.

An Israeli leader confronts the man who sold him out to the KGB decades earlier in a striking exploration of memory, patriotism, faith and duplicity from Bezmozgis (The Free World, 2011, etc.).

As the novel opens, Baruch Kotler, a 60-something Russian-born Israeli politician, arrives in Yalta as damaged goods. His support of a Jewish settlement on disputed land has outraged the prime minister, one of whose lackeys attempts to blackmail him with photos of his young mistress. Refusing to back down, he pursues some peace and quiet with said mistress, Leora, in the run-down Crimean resort city he fondly recalls from childhood. (The novel is set in August, 2013, and none of the current political turmoil factors into the story.) The home the couple rents, however, is owned by Chaim Tankilevich, who years earlier reported the dissident Baruch to the authorities, leading to a 13-year gulag sentence. If the coincidence seems impossibly unrealistic, the conversations between the two men, and the depth of thought and feeling Bezmozgis brings to them, redeem any such concerns. Chaim has lived on the edge of poverty ever since his betrayal, while Baruch has come away from his ordeal a political celebrity hardly wounded by his affair with Leora. Who deserves esteem or contempt here? Who merits punishment? The debate between the two men is a nakedly allegorical one, connected to the Israeli-Palestinian dispute that lays a scrim over the entire narrative. (Baruch’s son is an Israeli soldier with orders to help clear the settlement.) Taking place over the course of one day, the novel offers no pat resolutions to entrenched arguments. But it gains a satisfying tension from its compression, of two men forced to settle accounts in some way about their past in a culture thick with long memories.

Philosophical, provocative and nervy—an interior novel that manages to encompass a breadth of issues.

Pub Date: Sept. 23, 2014

ISBN: 978-0-316-28433-2

Page Count: 240

Publisher: Little, Brown

Review Posted Online: June 18, 2014

Kirkus Reviews Issue: July 1, 2014

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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