This beautiful new edition of a familiar legend will be welcomed both for its pictures and its telling.
by David Bouchard & illustrated by David Jean & translated by Jason Jones ‧ RELEASE DATE: Oct. 1, 2012
An acclaimed Métis storyteller recounts a Lenape pourquoi tale explaining the crow's shiny black color and croaking voice as the result of bringing the gift of fire.
Bouchard (Aboriginal Carol, 2008, etc.) begins by seating his audience in a circle on the earth, or at least the floor, and preparing them for quiet listening. In the leisurely style of his Lenape grandmother, the author describes how cold and uncomfortable the world was “[b]efore two-leggeds walked on Mother Earth.” Meeting in a Great Council, various animals offer to seek help from the Creator. Little Crow is chosen for her flying ability, her colorful plumage and her beautiful song. Returning from the Sky World with the gift of fire, she flies too close to the sun, charring her feathers and losing her voice. For her sacrifice, the Creator makes her now-black feathers shine with rainbow colors. The English text and Jones’ Ojibwe translation are set around lifelike animal portraits painted on traditional drums, echoing the circle theme established at the beginning. On the included CD, Bouchard and Jones read the text in English, Ojibwe and French. Their unhurried voices are accompanied by music by Manantial, a Native South American musical group.
This beautiful new edition of a familiar legend will be welcomed both for its pictures and its telling. (Folk tale. 7-12)Pub Date: Oct. 1, 2012
ISBN: 978-0-88995-458-8
Page Count: 32
Publisher: Red Deer Press
Review Posted Online: Oct. 31, 2012
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Louis Sachar ; illustrated by Tim Heitz ‧ RELEASE DATE: March 3, 2020
Rejoice! 25 years later, Wayside School is still in session, and the children in Mrs. Jewls’ 30th-floor classroom haven’t changed a bit.
The surreal yet oddly educational nature of their misadventures hasn’t either. There are out-and-out rib ticklers, such as a spelling lesson featuring made-up words and a determined class effort to collect 1 million nail clippings. Additionally, mean queen Kathy steps through a mirror that turns her weirdly nice and she discovers that she likes it, a four-way friendship survives a dumpster dive after lost homework, and Mrs. Jewls makes sure that a long-threatened “Ultimate Test” allows every student to show off a special talent. Episodic though the 30 new chapters are, there are continuing elements that bind them—even to previous outings, such as the note to an elusive teacher Calvin has been carrying since Sideways Stories From Wayside School (1978) and finally delivers. Add to that plenty of deadpan dialogue (“Arithmetic makes my brain numb,” complains Dameon. “That’s why they’re called ‘numb-ers,’ ” explains D.J.) and a wild storm from the titular cloud that shuffles the school’s contents “like a deck of cards,” and Sachar once again dishes up a confection as scrambled and delicious as lunch lady Miss Mush’s improvised “Rainbow Stew.” Diversity is primarily conveyed in the illustrations.
Ordinary kids in an extraordinary setting: still a recipe for bright achievements and belly laughs. (Fiction. 9-11)Pub Date: March 3, 2020
ISBN: 978-0-06-296538-7
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Patricia Engel ‧ RELEASE DATE: March 2, 2021
A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.
"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.
The rare immigrant chronicle that is as long on hope as it is on heartbreak.Pub Date: March 2, 2021
ISBN: 978-1-982159-46-7
Page Count: 208
Publisher: Avid Reader Press
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: LITERARY FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
by Bill Harley ; illustrated by Adam Gustavson ‧ RELEASE DATE: Sept. 1, 2013
Charlie Bumpers is doomed. The one teacher he never wanted in the whole school turns out to be his fourth-grade teacher.
Charlie recalls third grade, when he accidentally hit the scariest teacher in the whole school with his sneaker. “I know all about you, Charlie Bumpers,” she says menacingly on the first day of fourth grade. Now, in addition to all the hardships of starting school, he has gotten off on the wrong foot with her. Charlie’s dry and dramatic narrative voice clearly reveals the inner life of a 9-year-old—the glass is always half empty, especially in light of a series of well-intentioned events gone awry. It’s quite a litany: “Hitting Mrs. Burke in the head with the sneaker. The messy desk. The swinging on the door. The toilet paper. And now this—the shoe on the roof.” Harley has teamed once again with illustrator Gustavson (Lost and Found, 2012) to create a real-life world in which a likable kid must face the everyday terrors of childhood: enormous bullies, looming teachers and thick gym coaches with huge pointing fingers. Into this series opener, Harley magically weaves the simple lesson that people, even teachers, can surprise you.
Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the sarcasm of Wimpy Kid. (Fiction. 7-10)Pub Date: Sept. 1, 2013
ISBN: 978-1-56145-732-8
Page Count: 160
Publisher: Peachtree
Review Posted Online: Aug. 14, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Categories: CHILDREN'S GENERAL CHILDREN'S
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