Bowman’s testament is both lament and celebration—for the betrayed promise of the United States as well as the tragedy of...
A kaleidoscopic portrait of America in the years leading up to the assassination of John F. Kennedy—and a chillingly prophetic vision of how we got to where we are.
This is a novel that Bowman, the author of Let the Dog Drive (1992) and two other books, left unpublished when he died of a cerebral hemorrhage in 2012. But unpublished does not mean incomplete. Bowman articulates a vivid point of view in this novel, or, more accurately, a series of points of view, beginning with a prologue in which a variety of historical figures (Norman Mailer; Elvis; J.D. Salinger’s young daughter, Margaret) react to the killing of the president. From there, the action shifts to Mexico City in 1950 and the confluence of some unlikely expatriates, including William S. Burroughs and E. Howard Hunt. “The novel you are about to read is true,” Bowman writes. “All the people who are mentioned—just as Bob Dylan sang—I had to rearrange their faces and give them all another name. Still, this novel is true history.” What Bowman is saying is that history is itself a story, one we tell as much as live. His juxtapositions of incidents and individuals are, in that sense, as much constructions of his imagination as they are mashups of overlapping events. Albert Camus and Maria Callas carry on an affair. JFK and Aristotle Onassis commiserate—and strategize—over the Kennedys' stillborn child. Bowman is sly about acknowledging his inspirations: Mailer, as established in the opening, and also Don DeLillo, whose Underworld this novel resembles and who appears as a young advertising copywriter. And yet, to call the book derivative is to miss the point. Instead, it is sui generis, the kind of novel that invents its form out of its own frenzied convocation of voices and moments: the 20th century in all its majesty and fear.
Bowman’s testament is both lament and celebration—for the betrayed promise of the United States as well as the tragedy of the author’s premature demise.Pub Date: Jan. 15, 2019
ISBN: 978-0-316-56023-8
Page Count: 624
Publisher: Little, Brown
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility(2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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