A fine spacefaring adventure story on a macroscopic scale.
In Jeffrey’s SF sequel, an earthling must thwart a shadowy conspiracy that could lead to the end of the universe.
It’s 2217, and humanity can travel from an environmentally devastated Earth to distant stars via “voidoids”—invisible space gates of an unknown nature. But even with thousands of planets to explore, only one Earth-like world, Silvanus, has been found. Navigator Aidan Macallan contacted and explored it in Through a Forest of Stars(2017), and it turned out to be off-limits to colonists, due to a sentient entity there called the Rete; it’s not hostile, but it’s wary of the destructive potential of Homo sapiens. Now, on Earth, radical environmentalists and a reactionary, anti-science political buffoon named Houda Thunkit are at the forefront of a movement against space exploration. At the same time, voidoids are becoming unstable and closing down, potentially stranding outposts, ships, and colonies across the cosmos forever. Aiden now commands his own state-of-the-art starship, the Sun Wolf, and he and his crew form an uneasy alliance with Earth’s military to determine who’s disrupting the voidoids. The stakes rise considerably when scientists reveal that the gates are key to keeping all matter in balance; without them, the universe will dissipate into nothingness. Jeffrey’s yarn is a dandy cosmic mystery conceived on the vast scale of an Arthur C. Clarke or Olaf Stapledon epic. Some moments have a New Age–y tone, and it’s a bit odd when jazz music, a real-life pursuit of the author, is revealed to be particularly important to the plot. But there’s a gallery of well-drawn, diverse characters that may pleasantly remind readers of Star Trek; a memorably sinister cabal of villains; and even a smattering of romance. There’s also no shortage of imaginative perils along the way.
A fine spacefaring adventure story on a macroscopic scale.Pub Date: Oct. 25, 2020
ISBN: 978-0-9986742-2-3
Page Count: 403
Publisher: JeffreyJazz Publishing
Review Posted Online: Feb. 17, 2021
Kirkus Reviews Issue: May 1, 2021
Review Program: Kirkus Indie
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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