Grand successes and epic failures, engrossingly recounted.
Lavish, multifaceted portrait of the early-20th-century American business titan, emphasizing the man rather than the money.
British historian Cannadine (In Churchill’s Shadow, 2003, etc.) shows power, politics, art and money all working together in the life of Andrew Mellon (1855–1937). Born and bred into the world of finance and industry, Mellon was shy and obsessed with self-sufficiency. A lengthy opening section here on Mellon’s father, Thomas, explains his impact on his son’s character. At 19, Mellon began work at the family bank under his father’s watchful eye. Their formula for success—invest to increase value; leave get-rich-quick schemes to fools—was hardly revolutionary, but Cannadine’s exposition of the early years lays the groundwork for a fuller picture of Mellon. Somewhat repetitive stories of mergers and acquisitions (both financial and artistic) frame the story of Mellon’s personal struggles. Less than adept in relationships outside the office, at 43 he fell for and married an English girl of 19. The marriage ended in divorce 14 years later, the first of two major scandals the otherwise private Mellon endured. (The second involved accusations of tax fraud in the mid-1930s by a hostile New Deal government.) Though the financier preferred to exercise his power out of the spotlight, circumstances often moved him to the center of attention. When asked to become Secretary of the Treasury in 1921, Mellon would have liked to turn down the offer in order to concentrate on building closer ties with his estranged daughter, but he felt obligated to help rebuild a country recovering from war. Once in Washington, he saw an opportunity to leave a lasting legacy in the form of the National Gallery of Art. Although he didn’t live to see its completion, his dream was ultimately fulfilled. Cannadine’s insightful account reveals Mellon as a man who took personal risks that seemingly defied his upbringing.
Grand successes and epic failures, engrossingly recounted.Pub Date: Oct. 5, 2006
ISBN: 0-679-45032-7
Page Count: 560
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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