bookshelf

THE ERROR OF OUR WAYS

Name: THE ERROR OF OUR WAYS
Author: David Carkeet
ISBN: 0-8050-4502-3

by David Carkeet ‧ RELEASE DATE: Jan. 1, 1997

bookshelf

The sorrows of Job are visited upon a St. Louis nut salesman, with hilarious results, in Carkeet's (The Full Catastrophe, 1990, etc.) wry updating of the biblical tragedy. Ben Hudnut, when we first meet him, seems to have things more or less figured out. Happily married and the father of four daughters, he runs a successful business distributing nuts to most of the retailers in the Midwest and quite a few farther afield. Living in his newly acquired dream house with wife Susan, who writes children's books and tends the kids, there are times when the unreflective Ben sees himself ``as a man who could do everything—raise good kids, run a solid business, and have an affair. He was `larger than life.' But the truth was, he was exactly life-size.'' The true extent of his limitations becomes painfully clear when Ben's secretary absconds with $250,000 of his company's funds, putting him on the brink of bankruptcy overnight. As if this weren't enough, one of his daughters seems to be having an affair with her high-school teacher; the teacher himself attempts to blackmail Ben into silence by intimating that he knows a thing or two about what passed between Ben and another woman a few years back. And Ben's wife, meanwhile, has become the object of rather serious attention from Jeremy Cook, an unemployed linguist married to a bitchy college professor down the block. This convergence of misfortunes succeeds, as such trials invariably will, in revealing Ben's true character to himself for the first time. Long before he manages to make sense of his plight, however, he somehow succeeds in overcoming it—and it is in his response to fate, rather than in his grasp of it, that he shows what he is really made of. Witty, good-natured, and completely convincing: Carkeet has managed, with sympathy and charm, to trace the exceptional adventures of an utterly ordinary man.

Pub Date: Jan. 1, 1997

ISBN: 0-8050-4502-3

Page Count: 320

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1996

Categories:

GENERAL FICTION

bookshelf

TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

bookshelf

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

- BOOK REVIEW
THE LAND OF SWEET FOREVER
by Harper Lee ; edited by Casey Cep

- BOOK REVIEW
GO SET A WATCHMAN
by Harper Lee

- SEEN & HEARD
The Snowy Day Is NYC Library’s Most Popular Book

- SEEN & HEARD
ALA Releases List of 2020’s Most Challenged Books

- SEEN & HEARD
NYT Readers Voting on Best Book of Past 125 Years

bookshelf

THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

bookshelf

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.