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THE NIGHT OF THE GUN

A REPORTER INVESTIGATES THE DARKEST STORY OF HIS LIFE. HIS OWN.

A brilliantly written, brutally honest memoir.

New York Times reporter Carr bluntly reveals his former life in hell, when he juggled two talents: smoking crack and filing news.

It started out with innocent teenage pot smoking, typical stuff for a suburban Minneapolis kid in the 1980s. By the end of the decade, having cultivated a colossal cocaine habit, the author had deteriorated into a ghost of himself. He was in and out of jail cells and rehab; his legend grew in the streets; his reputation sank to no-hire status in local newsrooms. He got involved with “Anna,” a cute blonde drug dealer: “Six months after we had gotten together, her business was in disarray, I had lost my job, and then, oh yeah, she was pregnant.” Their twin daughters were born on April 15, 1988, two-and-a-half months premature, each weighing less than three pounds. “When Anna’s water broke,” Carr writes, “I had just handed her a crack pipe.” Soon he was using cocaine intravenously and fell into paranoia and depravity that made even his dealers shake their heads. With the help of family and friends, he did an about-face, putting the seven-month-old twins in foster care and throwing himself into recovery. When Anna continued using, he sued for and got permanent custody. He worked his way to the top of the masthead of the local alt-weekly newspaper, winning awards and providing a stable home for his daughters. But as Carr reminds the reader, with every new height a recovering addict reaches, the bottom is just a short slip away. Perhaps in response to the Million Little Pieces scandal, or perhaps because he doesn’t trust his subjective and drug-warped memory, the author provides backup and other points of view for every phase of his life. His book is based on dozens of recently taped interviews with everyone from his parents to drug dealers, and it includes photocopies of arrest reports, clinical observations and even rejection letters from national editors.

A brilliantly written, brutally honest memoir.

Pub Date: Aug. 5, 2008

ISBN: 978-1-4165-4152-3

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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